The Biggest Brightest Holiday Lights! Cover Image

The Biggest Brightest Holiday Lights!: TB Choral Octavo

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The Biggest Brightest Holiday Lights! Cover Image

The Biggest Brightest Holiday Lights!: TB Choral Octavo

Words by Andy Beck and Brian Fisher, music by Andy Beck

Item: 00-46389

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Description
This country-style novelty number celebrates the Clark Griswold in all of us! How many outdoor decorations do YOU hang at Christmas? Accessible two-part writing in both voicings makes for easy-to-learn, over-the-top, crowd-pleasin' fun. Be sure to check out the When We Sing! DVD for holiday hoedown choreography. "Merry Christmas, y'all!"

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Biggest Brightest Holiday Lights!: TB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081527680
SKU: 00-46389

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck oversees choral publications at Alfred Music while maintaining an active composing and arranging career. His catalog includes more than 450 choral works and vocal resources for singers of all ages, alongside pedagogical resources like Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique that have become staples in choral classrooms.

Beyond the page, Beck is a sought-after guest conductor, choreographer, and clinician who has worked with honor choirs and all-state ensembles across the country. He holds degrees from Ithaca College and Northwest Missouri State University, sings as a tenor with the North Carolina Master Chorale Chamber Choir, and has contributed vocals to Alfred Music recordings since 1992. His work reflects a sustained commitment to choral artistry and music literacy in education.

Why we love this

Beck writes novelty pieces with genuine musicality underneath the fun, which is rare. The country setting and Griswold reference will resonate with audiences while the accessible two-part writing means you're not sacrificing solid vocal writing for laughs. Programs need lighter moments, and this one delivers entertainment without becoming a throwaway.

What to expect

A neighbor's house lit up like the Vegas strip in December, delivered with a wink and a country twang. The energy is buoyant and infectious, the kind of piece that makes audiences grin the moment the first notes land. It's crowd-pleasing without being cynical, fun without being silly.

Who it's for

Middle school and high school choirs looking for accessible holiday material with personality. The flexible voicing accommodates groups with limited upper voices or mixed ensembles that prefer TB combinations. Singers who enjoy novelty numbers and audiences who want to laugh rather than contemplate Christmas.

How to get the most out of it

  • Lean into the country inflection without caricature. The twang should feel natural to the singers, not forced or exaggerated.
  • Use the recorded accompaniment to lock in the groove early. Country numbers thrive on rhythmic pocket, and a tight rhythm section will anchor the singers' energy.
  • Explore the choreography suggestions from the When We Sing! DVD. Movement gives singers confidence in novelty material and transforms this from cute into memorable.
  • Balance the parts so the TB voicing remains clear. With two parts, every voice line matters for blend and balance.

How to use it

Program this as a showstopper in a holiday concert, especially alongside more traditional seasonal material. The novelty works best surrounded by serious pieces, creating dynamic contrast. Alternatively, it fits perfectly in a concert focused entirely on contemporary holiday choral fun.

Skills your students will build

  • singing in country style and inflection
  • reading two-part TB voicing with independence
  • rhythmic precision in a syncopated groove
  • integrating movement and staging into vocal performance
  • blend and balance in a reduced harmony texture

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