The Best of Shorties, Volume 2 Cover Image

The Best of Shorties, Volume 2: Tonal Bass Drums (4 Pitch) Book

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The Best of Shorties, Volume 2 Cover Image

The Best of Shorties, Volume 2: Tonal Bass Drums (4 Pitch) Book

An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies, and a Host of Other Uses

Arr. Victor López

Grade: 2.5-3

Item: 00-42769

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Description
Here is a terrific compilation of some of the very best from the popular Shorties series by Victor López. This collection contains 18 short, time-out length charts perfect for any occasion. Keyboard, electric bass, and drumset parts make these charts perfect for pep band too! Titles: All Star * Any Way You Want It * Batman Theme * Blitzkrieg Bop * Celebration * Conga * Dynamite * Gonna Fly Now * Gonna Make You Sweat * Heavy Action (Theme from Monday Night Football) * Hey! Baby! * Hips Don't Lie * Jungle Boogie * Shake, Rattle and Roll * Sing, Sing, Sing * The Star-Spangled Banner * Sweet Georgia Brown * We Are Family.

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 038081485492
SKU: 00-42769
Instrumentation: Tonal Bass Drums (4 Pitch)

More about this title

About the Arranger: Victor López

Victor López is a prolific arranger whose work has become standard in marching arts and pep band programming. His Shorties series, spanning multiple volumes, has earned its place in thousands of programs because he understands what works on the field and in the gym: accessible arrangements that maintain musical integrity while celebrating recognizable, crowd-pleasing material.

Why we love this

López packs genuine musicality into these 18 charts without requiring advanced technical facility from your percussion section. The 4-pitch tonal bass drums give you melodic color and harmonic foundation simultaneously, transforming what could be purely rhythmic parts into genuinely musical contributions that elevate the entire arrangement.

What to expect

Each chart lands with presence and purpose. The tonal bass drums sing through recognizable melodies and harmonies, grounding each arrangement with low-end warmth while your soloists and upper voices carry the energy. These are crowd-pleasers that feel complete rather than stripped down.

Who it's for

Directors running marching bands, pep bands, and field shows who need flexible, performance-ready material that works for intermediate ensembles. Percussion section leaders will appreciate parts that are musically interesting without requiring advanced mallets technique or four-mallet fluency.

How to get the most out of it

  • Lock the four pitches to your arranging decisions early in rehearsal; establish which drum handles the root, third, fifth, and passing tones so transitions feel smooth rather than scattered across the ensemble.
  • Balance the tonal bass drums against your front ensemble; these parts thrive when they're heard as a cohesive voice, not fighting for space with mallets or keyboards.
  • Use the shorter length of these charts to isolate and polish one complete arrangement per rehearsal cycle, allowing your percussion players to build confidence in execution before moving to the next piece.
  • Layer the bass drum parts with your drumset and electric bass to create a unified low-end voice; López's voicings respond well to tight rhythmic coordination across these three parts.

How to use it

Build your pep band rotation around these charts; their time-out length makes them ideal for football games, pep rallies, and basketball games where you need high impact within 90 seconds. String several together throughout the season to give your percussion section consistent opportunities to play melodic material on tonal bass drums.

Skills your students will build

  • Four-pitch mallet technique and the coordination required to move between pitches cleanly
  • Harmonic independence within the low-end voice while locking rhythmically with drumset and electric bass
  • Quick transitions between charts and the focus required to execute short, memorable pieces with precision
  • Musical phrasing on pitched percussion and how melodic contour shapes rhythm section texture

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