The Best of Shorties, Volume 2: Opt. E-flat Alto Saxophone (Low Br. & Ww #1 Double) Book

López's gift for extracting the essential hook and groove from each song means students stay engaged while maintaining solid fundamentals. The rhythm section parts (keyboard, electric bass, drumset) transform what could be static chart reading into genuine rhythmic collaboration, and the 18-chart format gives you flexibility to program confidently across pep band season without repeating the same piece twice.

These arrangements pulse with modern energy while honoring classic showstopping moments. You'll swing through funk and pop grooves one moment, then land on an iconic anthem the next—each chart is short and punchy enough to leave audiences wanting more, which is exactly the point of great pep band music.

Alto saxophone players in grade 2.5–3 marching and pep band contexts who are ready to move beyond single-line arrangements into charts with real rhythmic depth. This book works equally well for high school sections managing multiple charts in a season or middle school bands building confidence with contemporary material.

• Balance your alto line against the keyboard and bass; these charts work best when the rhythm section locks in first and the horns sit comfortably on top rather than driving ahead.
• Use the shorter length to your advantage in rehearsal: these charts are meant to build confidence quickly, so isolate trouble spots in one or two focused passes rather than running full arrangements repeatedly.
• Pay attention to the grooves in "Jungle Boogie" and "Conga"—the alto part matters for the pocket, so lock your eighth-note placement with the rhythm section early.
• These arrangements reward clear articulation; even at grade 2.5–3 level, crisp tonguing in the funk and rock charts makes the difference between muddy and marching.

Slot individual charts throughout your pep band season at halftime shows, pep rallies, and marching band competitions where time limits demand quick, high-impact selections. The variety means you can build a whole show from this collection alone, or mix and match with other grade 3 charts to create a cohesive setlist without overrehearsing any single arrangement.

• Reading syncopated rhythms in contemporary styles (funk, rock, pop)
• Listening to and locking with a rhythm section (keyboard, bass, drums)
• Playing with precision on grooves that depend on ensemble pocket rather than conductor tempo
• Executing clean articulation in uptempo material at marching volume and tempo