The Best of Jim Brickman Cover Image

The Best of Jim Brickman: Concert Band Conductor Score

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The Best of Jim Brickman Cover Image

The Best of Jim Brickman: Concert Band Conductor Score

Featuring: The Gift / Valentine / Angel Eyes

Arr. Jack Bullock

Grade: 3 (Medium Easy)

Item: 00-38371S

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Description
The American songwriter and pianist, Jim Brickman, has had a "star-studded" career in popular music. His music is characterized with fresh ballad-style melodies and this collection is certain to please. Including "The Gift," "Valentine" and "Angel Eyes," this endearing through-played medley is a tremendous choice to showcase the musicality of your band. (5:00)

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081441092
SKU: 00-38371S

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock brings three decades of music-making experience to his arranging work, having studied trumpet with accomplished pedagogues and performed with the Miami Philharmonic Orchestra and Miami Opera Company. His career spans classical performance, jazz arranging, and instrumental education; he earned undergraduate, graduate, and doctoral degrees in music education and taught instrumental music in K-12 classrooms for 20 years, including seven years as assistant band director at Ithaca College's School of Music.

As a prolific arranger and composer, Bullock has created more than 600 publications across concert band, orchestra, jazz ensemble, and marching band. He co-authored the Belwin 21st Century Band Method and contributed arrangements to Music Expressions, Alfred Music's innovative school curriculum. His work appears in ASCAP's catalog since 1980, and he has led clinics and workshops internationally and throughout the United States.

Why we love this

Bullock's arrangement captures Brickman's signature ballad sensibility while building a through-played medley that flows naturally across three beloved songs. The Grade 3 scoring keeps parts accessible without sacrificing the lush, expressive character that makes this material engaging for both players and audiences.

What to expect

The arrangement unfolds with the warmth and directness of a well-crafted pop ballad, drawing from Brickman's gift for intimate, emotionally resonant melodies. Each song in the medley sits comfortably in the band's middle register, creating a bright, lyrical sound that feels both contemporary and timeless.

Who it's for

Directors programming concerts that reach general audiences will find this arrangement accessible for mid-level bands while maintaining musical credibility. Bands looking to showcase lyricism and song-like playing will connect with Brickman's melodic material, which rewards attention to tone quality and phrasing over technical virtuosity.

How to get the most out of it

  • Shape each song transition carefully so the medley feels like one continuous narrative rather than three separate pieces. The sectional joins are your chance to build momentum.
  • Emphasize the melodic lines in the upper voices while maintaining warm, supporting harmony in the middle and lower sections. Brickman's strength lies in straightforward, singable melodies.
  • Balance the dynamic arc across the full five minutes; avoid letting energy plateau in the middle songs. Use dynamics and articulation shifts to keep the piece moving forward.
  • Allow the band to breathe at natural phrase endings. These ballad-style melodies benefit from space and reflection rather than constant forward drive.

How to use it

This medley works beautifully in spring or pops-style concerts where your programming aims to engage families and community members. Consider programming it near the end of a concert to close on an accessible, emotionally satisfying note, or use it as a feature that lets your band demonstrate musicality and blend.

Skills your students will build

  • Legato phrasing and breath management across extended melodic lines
  • Balance between melody and supporting harmony voices
  • Smooth transitions between contrasting sections within a medley
  • Sensitivity to dynamic shaping and expressive playing at medium tempos
  • Ensemble intonation in lyrical, consonant chord structures

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