The Best of Big and Easy, Volume 2: E-flat Alto Saxophone, Horn in E-flat Book

Story's orchestrations balance straightforward ensemble writing with genuine groove and charm. These E-flat parts sit comfortably in the middle register while still driving the harmonic and rhythmic foundation, making them rewarding for players at this level.

Upbeat and unpretentious. From the swagger of 'Bad to the Bone' to the bright nostalgia of 'Sleigh Ride' and the infectious bounce of 'Funkytown,' these arrangements radiate confidence and fun. The writing sits comfortably in accessible ranges and tempos, letting players focus on locking in and enjoying the ride.

E-flat alto saxophonists and horn players in marching bands, jazz ensembles, and pep bands who want to explore a wide range of styles without excessive preparation time. These charts work equally well for directors building a quick-turnaround setlist or introducing younger players to pop and rhythm and blues standards.

• Lock into the drum set pattern early in rehearsal; the rhythm section groove is what sells these tunes, and your saxes and horns anchor that pocket.
• Emphasize uniform articulation across the section, especially in the tighter funk grooves like 'Funkytown' and 'Jump.' Crisp, synchronized tonguing makes the difference between good and great.
• Balance volume carefully when both E-flat parts double the same line. Blend the saxophone slightly under the horn so the horn's natural projection gives the melody presence.
• Let the keyboard and electric bass handle the harmonic heavy lifting in these charts. Your role is to lock the groove and support the melody without overplaying.

Build a pep band or game-day set from this collection, mixing styles to keep energy high without requiring fresh rehearsals for each tune. The familiar melodies and straightforward arrangements make these ideal for community events, rallies, or quick concert additions when you need reliable, recognizable music.

• Reading within the E-flat alto saxophone and horn ranges across multiple styles and tempos
• Blending rhythmic figures with a rhythm section (keyboard, electric bass, drums)
• Maintaining consistent ensemble articulation and phrasing in groove-based writing
• Adapting tone and interpretation across genres including blues, funk, and standards