The Barber of Seville (Il Barbiere di Siviglia, complete) Cover Image

The Barber of Seville (Il Barbiere di Siviglia, complete): Conductor Score & Parts

$1,300.00 USD
$1,300.00 USD
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The Barber of Seville (Il Barbiere di Siviglia, complete) Cover Image
The Barber of Seville (Il Barbiere di Siviglia, complete): Conductor Score & Parts

The Barber of Seville (Il Barbiere di Siviglia, complete): Conductor Score & Parts

By Gioachino Rossini, Italian libretto by Cesare Sterbini after the French comedy by Pierre Beaumarchais

Item: 36-A233302
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Description
The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remains a popular masterpiece staged frequently today, despite its disastrous February 20, 1816, premiere at the Teatro Argentina in Rome. The libretto by Cesare Sterbini is based on a three-part series of French comedic plays under the same name by Pierre Beaumarchais, and other composers also borrowed from the source, including Mozart for his Marriage of Figaro, although that opera was based on the second comedy in the series. Rossini's The Barber of Seville uses the first comedy as its source, showing the exploits that Count Almaviva engages in to convince Rosina to love and marry him before her ward Bartolo marries her first, with the barber Figaro conniving to help Almaviva the entire time. Instrumentation: 2(2nd dPicc).2.2.2: 2.2.1.0: Timp.Perc(2): Hp.Gtr: Str (4-4-3-3-3 in set): Vocal Soli (7 roles, SSTBBBB): Mixed Chorus.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 660355023293
SKU: 36-A233302
Instrumentation: 2(2nd dPicc).2.2.2: 2.2.1.0: Timp.Perc(2): Hp.Gtr: Str (4-4-3-3-3 in set): Vocal Soli (7 roles, SSTBBBB): Mixed Chorus

More about this title

About the Composer: Gioachino Rossini

Gioachino Rossini (1792-1868) composed 39 operas across a career that spanned less than three decades. His gift for melody, comic timing, and orchestral brilliance made him one of the most celebrated composers of the early 19th century. He wrote prolifically during his youth and early career, then largely withdrew from composition after 1829, spending his final decades as a respected elder statesman of music.

Rossini's operas define the bel canto tradition, demanding singers with technical agility and dramatic intelligence. His instrumental writing is equally sophisticated, layering woodwind color and string textures in ways that influenced orchestral composition for generations. The Barber of Seville stands as his most enduring work, performed more frequently than any other Italian opera of its era.

Why we love this

Rossini's masterpiece offers conductors a chance to lead one of opera's most musically coherent and dramatically satisfying works. The score balances vocal demands with instrumental sophistication, giving your orchestra meaningful material without overshadowing the singers. It is theater music that actually works on stage.

What to expect

The Barber of Seville sparkles with wit and elegance. Rossini's melodies are instantly memorable, crafted to sit beautifully in the voice while showcasing character and dramatic intention. The orchestration dances alongside the singers, combining grace, humor, and underlying sophistication that rewards careful listening.

Who it's for

This score and parts set is for opera companies, university opera programs, and advanced amateur ensembles with strong vocalists and rehearsal resources. You need singers capable of executing Rossini's passagework and an orchestra confident in 19th-century Italian style. This is not a simplified or school version; it demands serious preparation.

How to get the most out of it

  • Set tempos for the recitatives with attention to the libretto's pacing. Rossini wrote many recitatives in a rapid, conversational style that should feel natural rather than metronomic.
  • Balance the woodwinds carefully in the ensemble sections. Rossini's orchestration often floats important lines in the flutes and clarinets above the strings; resist the urge to cover them.
  • Work the chorus with the same precision as the soloists. Comic timing depends on crisp articulation and unified rhythm in the choral entries.
  • Conduct the famous overture with clarity and energy. Its driving momentum sets the tone for the entire opera and requires a conductor who shapes each phrase decisively.

How to use it

Produce this as your centerpiece opera for a season, dedicating the rehearsal resources and staging attention it deserves. Its popularity with audiences and singers makes it an ideal anchor for a spring opera festival or a full-scale fall production. If your ensemble is newer to opera, consider pairing it with training and workshops on Rossini's performance practice.

Skills your students will build

  • Conducting recitative in Italian opera style
  • Balancing vocal soloists with orchestral accompaniment
  • Executing rapid passagework and coloratura in ensemble sections
  • Managing comic timing and dramatic coordination across multiple departments
  • Understanding bel canto orchestration and woodwind-to-string textural balance

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