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The All-American: Concert Band Conductor Score

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The All-American Cover Image

The All-American: Concert Band Conductor Score

Concert March

By Chris Sharp

Grade: 3.5

Item: 98-B1285S

$16.00
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Description
An excellent original concert march, this work is written in the traditional style of Fillmore, King, and Sousa, yet includes a few clever twists and turns to showcase your woodwind section. After the traditional dogfight, woodwinds shine in their light and playful feature. Brass return to complement woodwinds with a powerful statement of the trio theme. Stirring!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444478592
SKU: 98-B1285S

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp holds a Ph.D. and has built a career bridging performance, composition, and education. As a trombonist, he spent eleven years performing and leading ensembles at Walt Disney World, then transitioned into arranging and orchestrating for Disney parks globally since 1984, creating music for live entertainment, recordings, and broadcast. His freelance work spans Universal Studios, Ringling Brothers and Barnum & Bailey Circus, the Boston Pops, the Dallas Brass, and the USAF Airmen of Note.

Sharp's teaching experience spans middle school through college levels, and he currently serves as Director of Bands at Polk State College in Winter Haven, Florida, where he also teaches music theory, music technology, and arranging. He has guest conducted and clinicized extensively, adjudicated for Bands of America and Drum Corps International, and received multiple ASCAP Plus awards. His concert and jazz band compositions and arrangements appear regularly at the Midwest Clinic and across the country.

Why we love this

Sharp writes marches that honor the American tradition while refusing to settle for predictable. The woodwind feature here is genuinely inventive, offering your section a chance to shine with music that feels fresh rather than recycled, and the brass statement that follows creates real dialogue rather than mere accompaniment. It's the kind of work that makes students excited to come to rehearsal.

What to expect

Marching forward with confidence and charm, this piece channels the spirit of Sousa and Fillmore while sidestepping their heaviness. The woodwind feature brings lightness and humor, as though the band is winking at the audience, before the brass brings everything back to stately grandeur.

Who it's for

Directors programming Grade 3.5 bands seeking original American concert march literature that challenges students without overwhelming them. This works equally well for spring concerts, patriotic events, or festival performances where you want solid musicianship paired with genuine compositional craft.

How to get the most out of it

  • Balance the woodwind feature carefully so the playful character reads clearly without losing ensemble blend; this is a moment to feature articulation and voice independence, not volume.
  • Shape the traditional march sections with clear, measured weight; let the brass establish the foundational march feel before layering in the woodwind flourishes.
  • The trio is marked as powerful, so use the full band strategically here; bring brass and woodwinds into genuine partnership rather than stacking them as simple doublings.

How to use it

Program this as a concert opener or centerpiece when you want to establish that your band plays with style and imagination. It pairs well alongside classical transcriptions or contemporary concert works since it bridges tradition and originality. The familiar march framework makes it accessible to audiences while the compositional twists keep musicians engaged.

Skills your students will build

  • Balancing featured sections with ensemble ensemble texture
  • Articulation clarity and independence within a march idiom
  • Shaping lyrical and powerful sections with structural awareness
  • Ensemble cohesion at Grade 3.5 technical demands

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