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The All-American: Concert Band Conductor Score & Parts

$70.00 USD
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The All-American Cover Image

The All-American: Concert Band Conductor Score & Parts

Concert March

By Chris Sharp

Grade: 3.5

Item: 98-B1285

$70.00
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Description
An excellent original concert march, this work is written in the traditional style of Fillmore, King, and Sousa, yet includes a few clever twists and turns to showcase your woodwind section. After the traditional dogfight, woodwinds shine in their light and playful feature. Brass return to complement woodwinds with a powerful statement of the trio theme. Stirring!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398219049
SKU: 98-B1285

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp holds a Ph.D. and has built a career balancing professional composition with active music education. His background spans eleven years as a trombonist and band leader at Walt Disney World, followed by decades of arranging and orchestrating for Disney parks worldwide, creating music for live entertainment, recordings, and national broadcasts. He has also written for major performance organizations including Universal Studios, the Boston Pops, and the USAF Airmen of Note.

Currently Director of Bands at Polk State College in Winter Haven, Florida, Sharp teaches music theory, technology, and arranging while maintaining an active composing practice. He has been recognized with multiple ASCAPlus awards and serves as a clinician, guest conductor, and adjudicator for national competitions including Bands of America and Drum Corps International. His concert and jazz band works receive regular performances at venues like the Midwest Clinic.

Why we love this

This march strips away unnecessary complexity while delivering genuine musical interest; the woodwind feature isn't a throwaway moment but a cunningly orchestrated showcase that gives your section players meaningful material to perform. Sharp's deep experience arranging for theme parks and major ensembles shows in the smart scoring: every voice has something to do, the proportions feel right, and the traditional march form becomes a platform for smart orchestration rather than a constraint.

What to expect

Confident and buoyant from the downbeat, with the swagger of traditional American march writing grounded in Sousa's lineage. The woodwind section gets a moment of witty independence and playfulness before the brass reassert the march's forward momentum with a powerful, affirmative statement. The overall effect is stirring without sentimentality, celebratory without bombast.

Who it's for

Band directors programming a Grade 3.5 concert who want a march with genuine musical substance and a clear feature opportunity for woodwinds. This works equally well for honor bands, festival concerts, or community ensembles seeking patriotic repertoire that respects the intelligence of both performers and audiences.

How to get the most out of it

  • Shape the opening march with clear articulation in the brass to establish the confident march character; avoid letting the tempo drag during the transition into the woodwind dogfight section.
  • Balance the woodwind feature carefully during rehearsal; these players need to feel they own the moment, but the section must remain unified in style and dynamics rather than each player reaching for individual prominence.
  • Lock the brass entrance for the trio statement with the full ensemble; this is your most powerful moment, so ensure the ensemble hears the woodwinds release and the brass come in as one unified gesture, not a collision.
  • Take time to shape the march's closing bars; a clean, confident finish reinforces the patriotic character and gives the audience a satisfying conclusion rather than simply stopping.

How to use it

Open a patriotic-themed concert or use it as a second selection to build momentum after a slower opener; the march's accessible Grade 3.5 level means it won't eat valuable rehearsal time but delivers impact in performance. It also pairs well with other traditional American compositions or serves as a bridge between classical and contemporary concert band fare.

Skills your students will build

  • Stylistic articulation and phrasing in march form
  • Sectional balance and blend, particularly in the woodwind feature
  • Ensemble unity during multi-sectional entrances and transitions
  • Interpretation of traditional Americana idiom

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