That's What I Like Cover Image

That's What I Like: Marching Band Conductor Score

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That's What I Like: Marching Band Conductor Score

As Recorded by Bruno Mars

Words and music by Christopher Brody Brown, Jeremy Reeves, Jonathan Yip, Philip Lawrence, James Fauntleroy and Bruno Mars / arr. Ralph Ford

Grade: 3 (Medium)

Item: 00-47040S

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Description
Bruno Mars is one of today's hottest stars. Out of the six GRAMMY®-Awards he won in 2018, three of them amazingly went to his single "That's What I Like." Ralph Ford's full-sounding arrangement features lots of great sounds, and is perfect for the stands as well as for dance and drill teams.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
UPC: 038081541426
SKU: 00-47040S

More about this title

About the Composer: Christopher Brody Brown

Christopher Brody Brown is a songwriter and producer who has shaped the sound of modern pop music through his work with some of today's biggest artists. His ability to craft hooks and melodies that resonate across radio formats has made him a trusted collaborator in the industry.

Why we love this

Ralph Ford's arrangement captures the infectious groove and horn-driven energy of the original without losing sight of what makes the tune work on the field. At Grade 3, it's accessible enough for developing ensembles but sophisticated enough to hold the attention of experienced musicians and audiences alike. The full sound from the instrumentation means even smaller bands will have plenty to work with.

What to expect

Groovy and infectious, with a modern pop swagger that keeps the momentum rolling from start to finish. The arrangement radiates confidence, layering brass and rhythm section parts that invite the listener into a moment of pure fun.

Who it's for

Marching bands looking for contemporary repertoire that engages students and audiences in equal measure. This works especially well for programs that want to program a high-energy pop tune without sacrificing musical substance.

How to get the most out of it

  • Lock the backbeat across your percussion section first; the pocket of this tune depends on the kick drum and snare locking in tight with the bass line.
  • Balance the horn parts so the melody cuts through without overshadowing the supporting lines. Listen for where the arrangement moves the lead between sections.
  • Nail the articulation markings in the brass to nail the funky, syncopated phrasing that gives the tune its character.

How to use it

Use this as a second-half opener to reset audience energy, or program it back-to-back with more traditional literature to show your band's range. It's ideal for halftime shows, pep rallies, and field competitions where contemporary selections are expected.

Skills your students will build

  • Locking syncopated rhythms between sections
  • Executing articulation in pop/funk idioms
  • Balancing melody and harmonic support in modern arrangements
  • Performing with rhythmic precision while maintaining groove

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