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Tertium Non Datur: 2 Saxophones (AT) Book

$18.95 USD
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Tertium Non Datur Cover Image

Tertium Non Datur: 2 Saxophones (AT) Book

7 Duets for Alto and Tenor Saxophone

By Joe Viera

Item: 01-ADV7029

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Description
Tertium Non Datur for alto and tenor saxophone includes: Swing * Blues 1 (Boogie) * Bop * Latin * Ballade * Kwela * Blues 2.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095070293
SKU: 01-ADV7029
Instrumentation: 2 Saxophones (AT)

More about this title

Why we love this

Viera packs genuine stylistic range into a single duet collection, forcing both players to develop real facility across swing, latin, blues, and bop vocabularies rather than retreating into one comfort zone. The pairing of alto and tenor saxophones creates natural textural variety and keeps the writing from feeling like unison exercises. This is the kind of material that sounds effortless when it clicks, which makes students actually want to practice the details.

What to expect

A guided tour through essential jazz vocabulary where alto and tenor voices speak as equals, sometimes in lockstep harmony and sometimes trading responsibility for the groove. The collection swings hard, relaxes into soulful ballade space, and explores rhythmic territory from boogie to kwela with the confidence of someone who understands how each style actually breathes.

Who it's for

Advanced high school saxophonists and college students ready to tackle jazz duet literature with style variety and balanced ensemble responsibility. Both the soloist and accompanying player get meaningful material, making it equally rewarding for students developing their jazz vocabulary or preparing for auditions.

How to get the most out of it

  • Establish the swing feel from the opening measures; uneven eighth-note subdivision that sits between both players will make or break the groove across Swing, Boogie, and Bop sections.
  • Balance the alto and tenor so the lower voice anchors without overwhelming; tenor naturally projects more, so tenor players need to resist playing louder in unison passages.
  • Treat the Latin section with rhythmic precision on the accompaniment part; the soloist's flexibility matters only if the rhythmic foundation stays locked.
  • Listen to recordings of each style before rehearsing; these seven pieces demand different articulation approaches and phrasing conventions that sheet music alone cannot convey.

How to use it

Feature this in a jazz concert as a duet spotlight, or extract individual movements for recitals when you need contrasting material that isn't a standard ballad or uptempo opener. The diversity of styles also makes it valuable for studio work, where students can tackle one new genre at a time without committing to a full album.

Skills your students will build

  • Swing eighth-note articulation and phrasing across multiple tempos
  • Blues language and vocabulary in both major and boogie contexts
  • Latin clave and syncopated rhythmic coordination
  • Ballade ballast and space-conscious melodic playing
  • Call-and-response ensemble listening and trading responsibility
  • Style-specific articulation and tone color choices

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