Tarantella, Op. 23 for Cello Duet Cover Image

Tarantella, Op. 23 for Cello Duet: Conductor Score & Parts

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Tarantella, Op. 23 for Cello Duet Cover Image

Tarantella, Op. 23 for Cello Duet: Conductor Score & Parts

By William Henry Squire / arr. Alan H. Drake

Grade: 3½

Item: 36-52731001

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Description
What to do when a pianist is not available? Play duets! This favorite contest piece arranged for two cellos, with the solo part equally divided.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361858-7
ISBN13: 978-1-63-361858-9
UPC: 654690592040
SKU: 36-52731001
Instrumentation: Cello Duet

More about this title

About the Composer: William Henry Squire

William Henry Squire (1848, 1911) was a British cellist and composer who bridged the Victorian concert hall and the teaching studio. His works for cello remain staples of the repertoire, prized for their musicality and technical clarity. Squire understood the instrument intimately, his pieces are written for cellists, by a cellist, with an ear for what sounds grateful under the fingers.

Why we love this

This arrangement strips away the dependence on a rehearsal pianist and gives two cellists equal musical weight. Drake's division of the solo line ensures neither player is relegated to accompaniment duty, making rehearsal and performance feel genuinely collaborative rather than hierarchical.

What to expect

The tarantella pulses with infectious, dancing energy, a folk-rooted Italian energy that feels both playful and propulsive. Two voices weaving around each other create richness and conversation, transforming what could be a simple technical study into a complete musical experience.

Who it's for

Student cellists working toward intermediate proficiency, particularly those in programs without reliable piano accompaniment. It's equally valuable for young duet partnerships building comfort with ensemble listening and flexibility.

How to get the most out of it

  • Establish a clear communication point between the two players about phrasing direction. In passages where one cellist carries the primary melodic line, the partner should listen for the shape rather than following a conductor's beat alone.
  • Anchor the opening together with a preparatory bow lift; Tarantella demands rhythmic precision, and a visual cue from both players prevents the breathless quality from becoming sloppy.
  • The tarantella's relentless energy can obscure articulation. Practice sections separately to confirm both parts are using identical bowing patterns in rhythmic figures, especially in faster passages.
  • Balance the two lines dynamically. When the melody moves from one cello to the other, ensure the accompaniment voice doesn't inflate in volume and steal focus.

How to use it

Slot this into a chamber concert or student recital where duet repertoire strengthens your ensemble offerings without requiring instrumental combinations you may not have available. It's also an effective contest piece for competitive young players or a satisfying culminating duet for a semester's worth of pair work.

Skills your students will build

  • Sustained rhythmic independence in a two-voice texture
  • Dynamic balance and transparency between equal melodic partners
  • Stylistic awareness of Italian dance forms and their characteristic rhythmic gestures
  • Flexible phrasing and listening skills required for conducting oneself in a duet
  • Bow control at varying speeds within a single energetic movement

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