Talk Is Cheep: Jazz Ensemble Conductor Score & Parts

Berg writes with genuine understanding of what big band sections can do and what audiences want to hear. The funky groove and written-out solos give students a clear path into jazz improvisation, while the shout chorus payoff rewards the ensemble's energy and precision. This is the kind of chart that sounds impressive and plays cleanly at contest.

The piece opens with a chorale statement that establishes sophistication before the groove takes over. Once the funk hits, energy ripples through the band; saxes claim the spotlight, brass answers, and solos spark real momentum. The shout chorus arrival feels inevitable and thrilling, a moment where every section's precision and power converge.

This chart is built for jazz ensembles at the intermediate to medium-advanced level who have solid fundamentals in comping and section blend. Conductors programming for contests and festivals will find it competition-ready with engaging, accessible solos that let young improvisers shine. It works equally well for concert performances where a funk groove and theatrical payoff will connect with audiences.

• Lock the rhythm section on the funky groove before rehearsing solos. The pocket at 116 BPM drives everything; if the drums, bass, and keyboard anchor it first, horn players will fall into place naturally.
• Have tenor and trumpet 2 prepare their solos well in advance, whether performing the written versions or improvising. Hearing them confidently will set the tone for the energy buildup into the shout chorus.
• Balance the saxophone melody statement with the brass entrance so both voices shine. This transition is the chart's narrative hook, so neither section should overwhelm the other.
• Push the lead trumpet's high register confidently. The written A above the staff is demanding but essential to the climactic shout chorus; make sure your first trumpet has prepared the endurance and range.

Pair this with lighter or more lyrical pieces earlier in the concert to showcase your ensemble's range; the funky swagger and infectious groove make it an ideal closer or high-energy second half opener. Its contest credentials and theatrical arc make it strong for festival competitions, and the chicken saga context (continuing from earlier works in the series) adds personality if you program multiple Kris Berg titles.

• Funk and swing groove phrasing and time feel
• Section balance with saxophones as melody voices and brass as harmonic support
• Improvisation over written and ad lib solos in a groove context
• High register endurance and accuracy in the lead trumpet part
• Energy control and dynamic shaping through the shout chorus buildup
• Jazz ensemble articulation and blend within a contemporary funk idiom