Tale of Tsar Saltan, The: The Flight of the Bumblebee Cover Image

Tale of Tsar Saltan, The: The Flight of the Bumblebee: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

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Tale of Tsar Saltan, The: The Flight of the Bumblebee Cover Image

Tale of Tsar Saltan, The: The Flight of the Bumblebee: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

By Nicolai Rimsky-Korsakov

Item: 36-A192601

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Description
Nikolai Rimsky-Korsakov (1844–1908) composed his opera THE TALE OF TSAR SALTAN between 1899 and 1900, based on Alexander Pushkin's 1831 fairy-tale poem of the same name. In 1901, he assembled the SUITE, Op. 57 from THE TALE OF TSAR SALTAN, comprising three movements—"The Tsar's Farewell and Departure," "The Tsarina in a Barrel at Sea," and "The Three Wonders"—which capture the opera's most evocative scenes through brilliant orchestral color and vivid storytelling. The opera was premiered in Moscow in 1900 under the direction of Mikhail Ippolitov-Ivanov and quickly became admired for its lush harmonies and magical atmosphere. THE FLIGHT OF THE BUMBLEBEE from the opera's interlude has achieved separate fame as a dazzling virtuoso showpiece and occurs in the first scene of the second act. The stage directions read: "Out of the sea comes a bumble bee and flies about the swan." Instrumentation: 2.2+1(EH).2.2: 4.2.3.1: Timp.Perc(1): Str (9.8.7.6.5 in set) [EH, Hns3&4, Tpts, Tbns, tuba, Timp, and Cym play 1st chord only, so also: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5)]. Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810580-0
ISBN13: 979-889-810-5808
UPC: 605258845672
SKU: 36-A192601
Instrumentation: 2.2+1(EH).2.2: 4.2.3.1: Timp.Perc(1): Str (9.8.7.6.5 in set) [EH, Hns3&4, Tpts, Tbns, tuba, Timp, and Cym play 1st chord only, so also: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5)]

More about this title

About the Composer: Nicolai Rimsky-Korsakov

Nicolai Rimsky-Korsakov (1844, 1908) was a Russian composer and orchestrator whose mastery of instrumental color fundamentally shaped how composers after him approached the orchestra. A naval officer by training, he brought the precision of technical discipline to composition and became one of the most prolific writers of orchestral music in the Romantic era. His gift lay not in harmonic innovation but in the sheer brilliance of how he deployed individual instruments and combinations to create vivid theatrical worlds.

Rimsky-Korsakov's operas and orchestral works became staples of the concert hall because they balance accessibility with genuine compositional sophistication. He believed that an orchestra should sing like a choir of soloists, and his scores demand that every section work together as a unified ensemble while individual voices remain clear and present. His influence extended beyond Russia; Western composers studied his orchestration as a masterclass.

Why we love this

The Bumblebee has become an orchestra director's secret weapon for demonstrating orchestral virtuosity and engaging audiences instantly. The famous chromatic violin passage is instantly recognizable, but what makes this conductor score essential is how Rimsky-Korsakov distributes melodic and accompanimental material across the full ensemble, turning what could be a solo showcase into a genuine orchestral tour de force. The brief duration, brilliant theatricality, and immediate impact make it ideal for opening a concert or bridging dramatic moments in a longer program.

What to expect

A burst of orchestral mischief and magic. The famous chromatic violin line darts and dives like the insect itself, supported by a steady, slightly sinister accompanimental figure that builds tension and excitement. Despite its brevity, the piece creates a complete dramatic arc, moving from an eerie introduction through frantic activity to a satisfying final cadence that leaves audiences delighted and energized.

Who it's for

Orchestras with strong string sections and skilled first violins capable of executing rapid chromatic passagework with clarity and control. This score works equally well for professional ensembles, university orchestras, and advanced community orchestras seeking a crowd-pleasing work that demands technical precision without requiring an extended rehearsal period.

How to get the most out of it

  • Establish a steady, driving tempo with your principal first violins before rehearsal begins. The success of the piece depends on their confidence and precision executing the fast passagework while maintaining clean articulation.
  • Balance the chromatic flight line (typically in the first violins) against the staccato accompaniment in the violas and cellos. These voices must lock rhythmically while remaining distinct in texture.
  • Use the opening woodwind and brass chord as a true ensemble moment. Even though only the English horn, horns, trumpets, and timpani play it, insist on unified attacks and releases to set the magical tone.
  • Watch for the harmonic motion to guide phrasing and shape. The piece moves through shifting tonal centers that create forward momentum. Avoid letting the rhythmic drive flatten the harmonic arc.

How to use it

This interlude thrives as an opener that signals virtuosity and orchestral brilliance from the first moments of a concert. It also serves beautifully as a brief, vivid contrast in the middle of a program, especially between longer symphonic works. Many directors program it alongside other Russian orchestral works (such as Borodin or Mussorgsky) to create a thematic concert exploring Russian orchestration.

Skills your students will build

  • Executing rapid scalar passages with rhythmic precision and articulation clarity
  • Balancing melodic lines against sustained harmonic and accompanimental textures
  • Coordinating ensemble entrances and releases using a conductor's clear beat patterns
  • Understanding harmonic motion and tonal center shifts as tools for phrasing and forward momentum
  • Managing the technical demands of fast string writing while maintaining musical shape

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