Take the Lead Plus: Jazz Standards Cover Image

Take the Lead Plus: Jazz Standards: B-flat Brass Instruments Book & CD

$15.99 USD
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Take the Lead Plus: Jazz Standards Cover Image

Take the Lead Plus: Jazz Standards: B-flat Brass Instruments Book & CD

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Item: 55-9772A

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Description
The Take the Lead series provides all players with well-known songs and tunes as quartets. Parts have been arranged to ensure that playing any one of them is interesting and musically satisfying and the professionally recorded backing CD provides a complete demonstration performance as well as an authentic accompaniment. Titles: Do Nothin' Till You Hear from Me * It Don't Mean a Thing (If It Ain't Got That Swing) * Jeepers Creepers * Misty * Moonlight in Vermont * On Green Dolphin Street * The Shadow of Your Smile * Star Dust.

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Additional Details
Series: Take the Lead
Publisher: IMP
ISBN10: 1-84328-282-8
ISBN13: 978-1-84328-282-2
SKU: 55-9772A
Instrumentation: B-flat Brass Instruments

More about this title

Why we love this

The Take the Lead series cuts through the clutter by delivering genuine jazz standards in accessible quartet arrangements that sound complete and professional from day one. Your B-flat players get to voice the melody and harmonic lines alongside other brass, building confidence in an idiom that often feels intimidating to young musicians. The recorded accompaniment transforms solo practice into a full ensemble experience without needing four chairs in the room.

What to expect

These are the songs that made jazz glamorous and accessible in the mid-twentieth century. Each arrangement swings with genuine character, balancing the warmth and sophistication of the standards themselves with the pleasure of playing as a section. Your part matters; you're not filling in harmony while someone else carries the tune.

Who it's for

B-flat brass players (trumpet, clarinet, soprano saxophone) at the middle school through early high school level who are ready to explore jazz beyond basic blues or funk. This series works equally well for students in jazz ensemble, concert band with a jazz unit, or private study seeking authentic repertoire without overwhelming technical demands.

How to get the most out of it

  • Listen to the demonstration track first without your part in hand. Absorb the swing feel, articulation style, and overall groove before you look at the notes.
  • Pay close attention to the rhythm section implied by the accompaniment. Lock into the hi-hat pattern and bass line to internalize the jazz time feel rather than playing metronomically.
  • Shape the melody with subtle dynamic contours and vibrato choices rather than playing it straight. Jazz phrasing lives in the spaces between strict rhythm.
  • Experiment with trading phrases between your part and the backing tracks to develop conversational interplay, especially on longer forms.

How to use it

Feature one of these in a spring concert devoted to American songbook traditions, or use them as a four-week unit in your jazz ensemble to build stylistic literacy without requiring advanced improvisation skills. They also work beautifully as encore vehicles for students who need confidence-building solos before moving into original jazz compositions.

Skills your students will build

  • Swing articulation and rhythmic phrasing in a jazz idiom
  • Reading and responding to jazz harmony and voice leading
  • Ensemble balance and blend within a brass quartet texture
  • Listening and responding to backing tracks in real time
  • Stylistic interpretation of American standards

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