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Take Five: Jazz Ensemble Conductor Score & Parts

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Take Five: Jazz Ensemble Conductor Score & Parts

By Paul Desmond / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-0139TB2X

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Description
Dave Brubeck's TAKE FIVE receives the royal treatment from Dave Wolpe in this exciting jazz ensemble chart. A great audience pleaser!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Take Five: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 70
ISBN10: 0-7579-3458-7
ISBN13: 978-0-7579-3458-2
UPC: 029156102154
SKU: 00-0139TB2X

More about this title

About the Composer: Paul Desmond

Paul Desmond was the alto saxophonist and primary composer for the Dave Brubeck Quartet, one of jazz's most commercially successful and artistically influential ensembles. His lyrical approach to the alto sax and gift for melody shaped the sound of 1950s and 1960s jazz, making him one of the instrument's most recognizable voices.

Desmond's compositions, particularly "Take Five," transcended jazz circles to become American classics. His writing balanced sophistication with accessibility, a quality that makes his work especially valuable for education settings where students encounter professional-level composition without prohibitive technical demands.

Why we love this

Wolpe's chart captures the hypnotic appeal of the original while giving your ensemble real work to do. The 5/4 time signature becomes an asset rather than an obstacle when players lock into the groove, and the scoring lets younger jazz musicians experience what it means when a simple idea, played with precision and feel, commands an audience.

What to expect

Hypnotic and cool. The odd meter feels natural once your ensemble settles into it, and the melody unfolds with such grace that audiences immediately recognize the tune. There's a sophisticated restraint here; the arrangement lets the composition speak rather than drowning it in busy counterpoint.

Who it's for

This arrangement works for high school jazz bands and college ensembles at the intermediate level. It's accessible enough to challenge developing players without requiring virtuoso soloists, yet sophisticated enough to reward thoughtful interpretation.

How to get the most out of it

  • Establish the quarter-note pulse in 5/4 before running the full ensemble. Have rhythm section lock the groove independently, then layer horns section by section. The chart lives and dies by rhythmic cohesion, not tempo gymnastics.
  • Balance the saxophone voice against the ensemble. Desmond's melody wants to float above the harmony; if you bury it, you lose the tune's identity.
  • Let the ensemble breathe. There's space built into this arrangement. Younger players often rush through silence; teach them that the space is as musical as the notes.

How to use it

Pair this with another Brubeck-era standard or use it as your closing number on a jazz concert. It's also a smart festival selection because it demonstrates your ensemble's rhythmic control and stylistic awareness while offering enough melodic appeal to please listeners outside the jazz world.

Skills your students will build

  • Reading and executing 5/4 time with rhythmic confidence
  • Building ensemble unity in an asymmetrical meter
  • Balancing solo voice against harmonic background
  • Achieving authentic swing feel at moderate tempo
  • Responding to the specific demands of a composed big-band arrangement

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