Symphony No. 59 in A 'Feuersinfonie' (Fire) [Hob. I:59; critical edition] Cover Image

Symphony No. 59 in A 'Feuersinfonie' (Fire) [Hob. I:59; critical edition]: Full Orchestra Conductor Score

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Symphony No. 59 in A 'Feuersinfonie' (Fire) [Hob. I:59; critical edition] Cover Image

Symphony No. 59 in A 'Feuersinfonie' (Fire) [Hob. I:59; critical edition]: Full Orchestra Conductor Score

By Franz Joseph Haydn / arr. Howard Chandler Robbins Landon

Item: 36-A676001

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Description
Symphony No. 59 in A major, Hob. I:59 ("Feuersinfonie" / "Fire") was composed in the late 1760s (c. 1768) by Franz Joseph Haydn (1732-1809) during his early years at the Esterházy court, a period marked by experimentation with his Sturm und Drang style. The nickname "Feuersinfonie" ("Fire Symphony") is not original to Haydn but is thought to derive from the work's later association with incidental music for a theatrical production - possibly the play Die Feuersbrunst ("The Conflagration"). Instrumentation: 0.2.0.1: 2.0.0.0: Hpchd: Str (4.4.3.3.3 in set). Reprint of the critical edition by H.C. Robbins Landon.

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Additional Details
Series: Kalmus Critical Editions
Publisher: EDWIN F KALMUS
ISBN13: 979-890-420-0190
UPC: 604634050235
SKU: 36-A676001
Instrumentation: 0.2.0.1: 2.0.0.0: Hpchd: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) spent nearly three decades as Kapellmeister at the Esterházy court, where he composed prolifically across every genre while serving one of Europe's most musically ambitious noble families. His decades of daily compositional work and orchestral direction transformed him into a master of instrumental form; he refined the symphony from a lighter divertimento into the central genre of concert life, directly influencing Mozart, Beethoven, and generations of composers who followed.

During the 1760s, when he wrote the Fire Symphony, Haydn was experimenting boldly with dramatic intensity and chromatic harmony—the hallmarks of the Sturm und Drang (Storm and Stress) style. This period shows a composer unafraid to test the limits of Classical form with urgent, emotionally turbulent orchestration and unexpected harmonic turns.

Why we love this

Haydn's Fire Symphony captures the urgency and emotional directness of his Sturm und Drang period in a work that remains surprisingly visceral for its era. The piece demands orchestral cohesion and dramatic unity while staying within the four-movement Classical architecture, making it an excellent choice for conductors who want their ensemble to engage serious compositional substance without the scale demands of later symphonic literature.

What to expect

The Fire Symphony blazes with the restless energy and chromatic intensity that defines Haydn's Storm and Stress explorations. Urgent string writing, sudden harmonic turns, and dramatic woodwind interventions create a sense of turbulence that feels both architecturally tight and emotionally raw.

Who it's for

Conductors preparing an advanced amateur or professional orchestra who want to program significant symphonic repertoire outside the Beethoven-Brahms canon. This critical edition is equally suited to orchestral students encountering Haydn's orchestration and form in a scholarly, performable score.

How to get the most out of it

  • Establish the fast movement's relentless rhythmic drive from the opening; Haydn's dramatic intensity relies on forward momentum rather than hesitation or rubato.
  • Balance the transparency of the Esterházy-era orchestration carefully, especially in the woodwind-dominated passages; each inner voice must be heard without muddying the texture.
  • Shape the harmonic surprises (particularly the Sturm und Drang chromaticism) with clear tonal direction so they land as calculated drama rather than accident.
  • Use the continuo (harpsichord) as both harmonic anchor and rhythmic heartbeat in the slow movement to reinforce the classical proportions.

How to use it

Program this as a centerpiece for a symphonic concert exploring late-18th-century innovation, pairing it with a Mozart or early Beethoven symphony to show the stylistic continuum. The work's dramatic character also makes it effective as the opener for a concert where you want to establish interpretive seriousness from the first moments.

Skills your students will build

  • Reading and conducting Classical symphonic form across four movements
  • Balancing a small orchestra with continuo realization
  • Interpreting chromatic harmony and harmonic surprise within tonal form
  • Managing dramatic pacing and textural clarity in Sturm und Drang style
  • Coordinating period-appropriate orchestration (oboe, horn, harpsichord doubled with strings)

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