Symphony No. 41 in C, K. 551 'Jupiter' (critical edition) Cover Image

Symphony No. 41 in C, K. 551 'Jupiter' (critical edition): Full Orchestra, Ensemble Works Conductor Score & Parts

$125.00 USD
Sale price  $125.00 USD Regular price 
Skip to product information
Symphony No. 41 in C, K. 551 'Jupiter' (critical edition) Cover Image

Symphony No. 41 in C, K. 551 'Jupiter' (critical edition): Full Orchestra, Ensemble Works Conductor Score & Parts

By Wolfgang Amadeus Mozart / arr. H.C. Robbins

Item: 36-A815702

$125.00
Shipped

One moment…

Description
Wolfgang Amadeus Mozart's (1756-1791) Symphony No. 41 in C Major, K. 551 'Jupiter' was completed on August 10th, 1788. The last and longest of his symphonies, it is uncertain if the work was ever performed in Mozart's lifetime. It was reported by Mozart's youngest son Franz that the nickname 'Jupiter' was coined by Johann Peter Salomon, though English publisher Johann Baptist Cramer might have also been the source. The work is considered by many to be among the greatest symphonies in the repertoire. This critical edition of the symphony has been completed by Haydn and Mozart expert H.C. Robbins Landon (1926-2009). Instrumentation: 1.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set).

Symphony No. 41 in C, K. 551 'Jupiter' (critical edition): Full Orchestra, Ensemble Works Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Critical Editions
Publisher: Keiser Productions, Inc.
UPC: 676737674502
SKU: 36-A815702
Instrumentation: 1.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set)

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed over 600 works across nearly every genre during his extraordinarily brief life. A prodigy from childhood, he mastered the symphonic form alongside concertos, operas, chamber music, and sacred works, leaving an indelible mark on classical style. His late symphonies, particularly the final three completed in the summer of 1788, represent the culmination of his orchestral writing and rank among the most performed and studied works in the concert repertoire.

Mozart's symphonies evolved dramatically across his career, moving from the lightweight divertimenti of his youth toward increasingly sophisticated harmonic language, dramatic orchestration, and formal architecture. The Jupiter, his last symphony, synthesizes everything he had mastered: rhythmic vitality, memorable thematic material, rich counterpoint, and the ability to move audiences through both intellect and emotion.

Why we love this

This critical edition by Robbins Landon offers the authoritative text for one of the repertoire's most essential works. Conductors will appreciate the scholarly foundation, which brings clarity to Mozart's orchestration while respecting his original intent, making preparation efficient and musically sound. The Jupiter demands serious orchestral musicianship and rewards it generously with one of history's greatest final movements.

What to expect

The Jupiter opens with assertive, almost dramatic purpose before settling into the grace and proportion that define Mozart's classical idiom. Its four movements alternate between urgent brilliance and intimate lyricism, culminating in a finale of extraordinary wit and intellectual power where multiple themes interweave in a display of compositional mastery that never feels labored. The whole work carries a sense of summation, as if Mozart distilled everything he understood about orchestral communication into this singular achievement.

Who it's for

This is essential repertoire for advanced community orchestras, professional orchestras, university orchestral programs, and serious amateur ensembles with the technical facility to realize Mozart's classical elegance and contrapuntal sophistication. It serves conductors preparing a season finale, celebrating Mozart's legacy, or teaching the masterworks of the symphonic tradition.

How to get the most out of it

  • Balance the woodwind writing in the first movement so that clarinet and flute lines emerge distinctly over the string texture; Mozart's orchestration often layers these voices horizontally rather than highlighting them vertically.
  • Shape the Andante cantabile with sustained, singing tone from the first violins; this movement's lyrical beauty depends on the orchestra's willingness to phrase beyond the bar line and breathe as a vocalist would.
  • Approach the famous contrapuntal finale with a clear pulse and steady tempo; the fugal section near the end involves multiple themes woven together, and rhythmic precision ensures the architecture remains audible rather than muddy.
  • Mark the timpani entries precisely to articulate formal sections; in the outer movements, timpani often reinforces thematic returns and cadential moments.

How to use it

Program the Jupiter as a season anchor or gala concert finale; it rewards an audience's full attention and leaves a lasting impression. Pair it with an earlier Mozart symphony to show the composer's stylistic arc, or situate it alongside Haydn to illuminate the symphonic conversation between these titans. It also works powerfully in a concert themed around late-period classical masterworks or as the capstone of a Mozart festival.

Skills your students will build

  • Balancing multiple woodwind lines in dense orchestral textures
  • Executing rapid string passagework with clarity and rhythmic cohesion
  • Shaping long melodic lines through varied harmonic rhythm
  • Reading and performing classical-era counterpoint in fast tempi
  • Responding to detailed articulation and dynamic marking as structural communication

You May Also Like