Symphony No. 4 Cover Image

Symphony No. 4: Full Orchestra Conductor Score & Parts

$58.00 USD
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Symphony No. 4 Cover Image

Symphony No. 4: Full Orchestra Conductor Score & Parts

(Third Movement)

By Johannes Brahms / arr. Richard Meyer

Grade: 2

Item: 00-23370

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Description
Faithful to Brahms' original scoring, this arrangement gives each "choir" of instruments (woodwind, brass, and strings) a chance to shine and display their own individual sound and personality. All string parts remain in first-position throughout. Includes violin III (viola treble clef) and piano accompaniment parts-scored for several percussionists (up to five players). Introduce your students to a masterpiece with this edition of a Brahms classic.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Symphony No. 4: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling First Philharmonic
Publisher: Alfred Music
Page Count: 204
UPC: 038081259888
SKU: 00-23370

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) stands as one of the most significant symphonists of the Romantic era, bridging the classical traditions of Mozart and Beethoven with the expansive orchestral language of his own time. His four symphonies represent the culmination of decades of compositional refinement, each one a masterwork of structural clarity, thematic development, and orchestral color that continues to define the symphonic repertoire.

Why we love this

This Grade 2 arrangement hands students a genuine Brahms symphony without oversimplifying the orchestration or logic of the original scoring. Meyer's skillful adaptation keeps string parts accessible while preserving the interplay between instrumental choirs that makes this work enduringly rewarding to conduct and play, making it ideal for orchestras ready to tackle substantial repertoire.

What to expect

Brahms' Fourth Symphony unfolds with noble restraint and lyrical warmth. Soaring melodic lines drift across the orchestra, carried by strings and winds in turn, while the underlying harmonic architecture feels both inevitable and deeply satisfying. The work breathes with the dignity and depth that defined Brahms' mature style.

Who it's for

Conductors leading Grade 2 full orchestras who want to program a cornerstone of the symphonic repertoire without requiring advanced string technique or complex shifts. This edition works for both concert and contest/festival settings where authenticity and musical substance matter.

How to get the most out of it

  • Balance the exposed woodwind passages with careful dynamic control; these instruments carry thematic material in several sections and need clarity without drowning the string accompaniment.
  • Shape phrases through the brass section with attention to the harmonic progression rather than dynamic peaks; Brahms favors architectural weight over rhetorical flourish.
  • Coordinate with multiple percussionists by establishing clear visual cues for ensemble moments; the scoring accommodates up to five players, so communication across the percussion battery is essential.
  • Maintain consistent tempo through key transitions, allowing the underlying harmonic motion to drive forward naturally rather than pulling or pushing against the pulse.

How to use it

Position this as a centerpiece concert work, or pair it with shorter twentieth-century pieces to create compelling contrasts on a single program. It also serves as a gateway to more substantial Brahms and Romantic-era symphonic literature, signaling to your ensemble that they have reached a level where canonical orchestral masterworks are within reach.

Skills your students will build

  • Reading and conducting a full orchestral score with independent instrumental choirs
  • Balancing multiple melodic lines across different instrumental families
  • Executing sustained passages and phrase shaping across extended harmonic progressions
  • Coordinating ensemble entries across five or more percussion players
  • Understanding classical symphonic form applied to Romantic-era orchestral color and material

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