Symphony No. 3 in E Minor, Opus 13 Cover Image

Symphony No. 3 in E Minor, Opus 13: Organ Sheet

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Symphony No. 3 in E Minor, Opus 13 Cover Image

Symphony No. 3 in E Minor, Opus 13: Organ Sheet

By Charles-Marie Widor

Item: 00-K04031

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Description
An Organ solo composed by Charles-Marie Widor.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Symphony No. 3 in E Minor, Opus 13: Organ Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-5202-8
ISBN13: 978-0-7692-5202-5
UPC: 029156637304
SKU: 00-K04031

More about this title

About the Composer: Charles-Marie Widor

Charles-Marie Widor (1844-1937) was a French organist and composer whose ten symphonies for organ rank among the most significant works in the instrument's concert repertoire. His tenure as organist at Saint-Sulpice in Paris for over 60 years gave him unparalleled insight into the organ's capabilities, and he composed with both technical brilliance and profound musical substance. His orchestral thinking, combined with his mastery of the instrument's registers and architecture, established him as a central figure in the Romantic organ literature.

Widor's compositions remain essential to advanced organists and serve as models for understanding the transition between Romantic keyboard writing and the modernist approaches of the 20th century. His symphonies balance virtuosity with spiritual depth, making them equally valuable in concert settings and liturgical contexts.

Why we love this

This symphony displays Widor's gift for architectural form and orchestral texture at the keyboard. Advanced organists find in this work both the technical challenge and musical substance that make extended organ works rewarding to master and program.

What to expect

The E minor tonality grounds the work in introspective territory, with moments of lyrical warmth and passages of driving intensity. Widor crafts a journey that feels both intellectually structured and emotionally direct, allowing the organ's full range from intimate reed solos to powerful tutti sections.

Who it's for

This symphony suits advanced organists preparing major recital repertoire or exploring the Romantic concert canon in depth. It demands secure technique, musical maturity, and access to a substantial instrument with full modern or neo-Baroque specification.

How to get the most out of it

  • Study the registration carefully. Widor's indications reveal his concept of the piece's architecture; each section relies on specific tonal palettes to articulate form.
  • Work the pedal lines separately from the manual parts at tempo. The symphonies demand secure, independent footwork without sacrificing musical shape.
  • Map dynamic contours across longer phrases rather than treating each dynamic marking in isolation. The E minor tonality benefits from long-range arc and restraint in the middle sections.
  • Invest time in understanding how the piece sits on your specific instrument. Registration options vary widely between organs; flexibility in tonal choices serves the music better than literal adherence to a single interpretation.

How to use it

Program this as a centerpiece in a recital devoted to Romantic organ music, or pair it with works from the same era that explore similar formal ambitions. The scale and depth of the symphony make it suitable for concert series contexts where organ music receives focused attention.

Skills your students will build

  • Secure pedal independence in multi-voice textures
  • Registration selection and tonal balancing across an extended form
  • Phrasing and structural awareness across large-scale movements
  • Technical facility in Romantic-era keyboard figuration and harmonic language
  • Interpretation of detailed performance directions in period notation

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