Symphony No. 2 in E-flat, Op. 63 Cover Image

Symphony No. 2 in E-flat, Op. 63: Full Orchestra, Conductor Score & Parts

$600.00 USD
$600.00 USD
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Symphony No. 2 in E-flat, Op. 63 Cover Image
Symphony No. 2 in E-flat, Op. 63: Full Orchestra, Conductor Score & Parts

Symphony No. 2 in E-flat, Op. 63: Full Orchestra, Conductor Score & Parts

By Edward Elgar

Item: 36-A612002
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Symphony No. 2 in E-flat, Op. 63: Full Orchestra, Conductor Score

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Description
Sir Edward Elgar's Symphony No. 2 in E-flat Major, Op. 63, was composed in 1911, with the premiere taking place at the London Musical Festival by the Queen's Hall Orchestra, Elgar conducting, on May 24 of that year. A deeply personal work, the symphony is also more varied and inventive than his first. But despite this, Elgar's second symphony was received politely, but not enthusiastically, at the premiere. Numerous external reasons for this have been proposed, including the change of his country's mood as the times shifted away from the confidence of the culture during the premiere of Elgar's Symphony No. 1 towards the tensions that eventually led to World War I. Perhaps the recent death of King Edward VII, to whom the symphony is dedicated, had also put the audience in a more somber mood. But due to the initially weak reception, Elgar's Symphony No. 2 was slow in finding its way to standard orchestral repertoire, not really finding it's place there until after World War I. Instrumentation: 3(3rd dPicc).2+EH.2+Eb+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659359714207
SKU: 36-A612002
Instrumentation: 3(3rd dPicc).2+EH.2+Eb+BCl.2+CBsn: 4.3.3.1: Timp.Perc(3-4): Hp(2): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) was an English composer whose orchestral works helped establish Britain as a major force in classical music during the late 19th and early 20th centuries. His two symphonies represent the pinnacle of his symphonic thinking, yet they emerged under vastly different cultural circumstances. Elgar's understanding of orchestral color and his gift for memorable melodic writing made him one of the most performed composers of his era, and his influence on British musical identity remains profound.

Why we love this

Elgar's Second Symphony offers orchestras a work of genuine architectural ambition and emotional depth that rewards careful preparation. The piece demands real orchestral maturity from your ensemble, but the payoff is substantial; players encounter some of the most imaginative orchestration in the symphonic repertoire, and audiences experience a symphony that remains unfairly neglected compared to its more celebrated predecessor.

What to expect

The symphony unfolds as a deeply introspective journey, marked by graceful melodic lines that feel almost chamber-like in their intimacy before swelling into grand, confident passages. Elgar crafts moments of genuine poignancy alongside passages of Edwardian lyricism, creating a work that feels both personal and ceremonial, reflective and forward-looking.

Who it's for

This score and parts set serves conductors leading advanced community orchestras, university orchestras, and professional ensembles equipped to handle Elgar's full instrumentation and the sustained focus required for a complex four-movement symphony. Musicians at this level will find the technical demands fair and the musical content rewarding.

How to get the most out of it

  • Balance the two harps throughout the work, particularly in the softer passages where they provide crucial harmonic foundation without overwhelming the strings.
  • Give special attention to the dialogue between woodwind and brass choirs; Elgar's orchestration often isolates these colors deliberately, and clarity here reveals his structural sophistication.
  • Manage the extended dynamic range carefully, as the symphony moves between intimate chamber-like passages and full orchestral climaxes; premature forte playing blunts the impact of the piece's most powerful moments.
  • Secure rhythmic unanimity in the brass and timpani during transitions, where shifts between metric feel can easily blur if the rhythm section does not lock together precisely.

How to use it

Program this as the centerpiece of a concert devoted to British symphonic repertoire, or pair it with a shorter Elgar work as a frame for lighter contemporary or classical pieces. The symphony's length and emotional weight make it ideal for a season finale or a concert structured around large-scale works, where it can anchor the program without direct competition.

Skills your students will build

  • Sustaining ensemble cohesion across extended symphonic form (four movements)
  • Balancing multiple independent orchestral choirs (woodwinds, brass, strings, harp) without sacrificing transparency
  • Responding to nuanced dynamic and tempo markings that shape Elgar's emotional architecture
  • Executing precise rhythmic transitions between sections with different metric feels
  • Building and releasing orchestral tension through controlled phrasing across longer line structures

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