Symphony No. 19 Cover Image

Symphony No. 19: String Orchestra Conductor Score

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Symphony No. 19 Cover Image

Symphony No. 19: String Orchestra Conductor Score

By Wolfgang Amadeus Mozart / arr. Carrie Lane Gruselle

Grade: 3

Item: 98-ST6501S

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Description
This arrangement is rich with pedagogical and musical opportunity! Written by a 16-year-old Mozart, it is in Rondo form with distinct key centers to establish hand patterns and excellent intonation. It uses sudden dynamic changes for dramatic effect, reinforces off-the-string bowing, and further develops speed and facility in the left hand. A complete package from the Classical era!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444589786
SKU: 98-ST6501S

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed this symphony at age 16, during his formative years in Salzburg. His early symphonies reveal a composer already commanding Classical form, clear orchestration, and the harmonic sophistication that would define his mature works. Mozart's ability to write idiomatically for strings while maintaining structural clarity makes his symphonies essential repertoire for developing ensembles.

Mozart's prolific output across every genre established conventions that musicians still study and perform today. His string writing balances accessibility with musical integrity, offering young orchestras the chance to play authentic Classical music that sounds complete and satisfying rather than diluted or pedagogically simplified.

Why we love this

This arrangement distills everything that makes Mozart's writing so effective for young orchestras: clear phrase structures, predictable harmonic motion, and genuine musical substance that doesn't feel like a training exercise. The rondo form and distinct key centers give your students something architecturally satisfying to hold onto while they refine their intonation and bowing technique. You're not teaching form through abstractions; your orchestra is playing a real Mozart symphony and learning it by doing.

What to expect

Elegant and purposeful, with the crystalline clarity of the Classical era. The rondo form creates a sense of return and arrival; Mozart takes you somewhere new, brings you back home, and does it all with such grace that every phrase feels inevitable. There's buoyancy in the off-the-string writing and warmth in the slower sections, making it feel both intellectually satisfying and genuinely enjoyable to play.

Who it's for

String orchestras at the intermediate level (Grade 3) ready to perform authentic Classical repertoire with genuine musical coherence. This works for directors developing young orchestras in school and community settings where students are ready to move past simplified arrangements into real masterworks.

How to get the most out of it

  • Shape the dynamic contrasts sharply. Mozart's sudden changes from piano to forte serve the form itself, so treat them as architectural markers rather than mere expression. Let those sudden shifts surprise the audience.
  • Balance the off-the-string passages without losing tone quality. Young string players often sacrifice sound for speed; insist on articulation that remains singing even as the bow leaves the string.
  • Establish a consistent hand pattern in the left hand across all the players so intonation problems become immediately obvious. When the whole section moves the same way, you spot drift instantly.
  • Use the distinct key centers as rehearsal signposts. When you move to a new tonal area, name it aloud and let the orchestra hear how Mozart signals the formal shift. This reinforces both structure and listening skills.

How to use it

Open a pops concert or family concert with this symphony to anchor the program in the Classical tradition while keeping the energy high and the sound bright. It also works beautifully as the centerpiece of a single-composer program featuring Mozart's writing for different ensembles, or as the conclusion to a unit on form where students have studied rondo structure in class.

Skills your students will build

  • Reading and performing rondo form with clear structural awareness
  • Intonation across distinct key centers and modulations
  • Off-the-string bowing technique at moderate tempo with clarity
  • Left-hand facility and consistent hand position across the ensemble
  • Responding to sudden dynamic changes for musical effect
  • Balance and blend in exposed Classical-era orchestration

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