Symphony No. 104 "London" Cover Image

Symphony No. 104 "London": String Orchestra Conductor Score & Parts

$55.00 USD
$55.00 USD
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Symphony No. 104 "London" Cover Image
Symphony No. 104 "London": String Orchestra Conductor Score & Parts

Symphony No. 104 "London": String Orchestra Conductor Score & Parts

First Movement

By Franz Joseph Haydn / arr. Robert D. McCashin

Grade: 4.5

Item: 98-ST6097
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Description
Robert D. McCashin has put substantial effort into this arrangement to make it as true to Haydn's original intent as possible. As a result, this work captures and retains the bright spirit of the first movement that has made it such a popular work. Moreover, this arrangement brings the piece to a musical and technical level that school orchestras can enjoy. A masterful arrangement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Symphony No. 104 "London": String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398219377
SKU: 98-ST6097

More about this title

About the Composer: Franz Joseph Haydn

Haydn spent nearly three decades as kapellmeister to the Esterházy court, where he developed the symphonic form into something both intellectually rigorous and genuinely entertaining. His prolific output across nearly every genre established conventions that Mozart and Beethoven would build upon, yet his own works never sacrificed melodic warmth for structural innovation.

The "London" symphonies, composed near the end of his life for performances in England, represent Haydn at his most confident. These works showcase a master who understood exactly how to balance orchestral brilliance with the kind of memorable themes that audiences remember long after leaving the concert hall.

Why we love this

McCashin's arrangement honors Haydn's architecture while making it genuinely playable for high school ensembles. The first movement retains that irrepressible energy and clever orchestration Haydn was famous for, and students grasp immediately why this symphony earned its popular status. It's the kind of work that reminds orchestras why they love playing together.

What to expect

Bright and driven, with the kind of motivic wit that keeps listeners engaged. The first movement sparkles with forward energy and clever orchestration, balancing moments of true lyrical beauty with passages that dance along with almost theatrical charm.

Who it's for

String orchestras at the Grade 4.5 level seeking repertoire that's both musically substantial and genuinely rewarding to perform. This arrangement works equally well for orchestras preparing for festival competition or those looking for a standard that challenges students without overwhelming them.

How to get the most out of it

  • Maintain forward momentum through the opening theme; resist the temptation to linger on strong beats. Haydn's humor depends on conversational pacing.
  • Balance the dialogue between first and second violins carefully in the development section. The back-and-forth drives the harmonic progression, so both lines need clarity without one drowning out the other.
  • Shape phrase endings with a subtle diminuendo rather than a full stop. The movement flows through multiple ideas, and gentle tapering keeps the momentum alive between sections.
  • Reserve vibrato for sustained passages and climactic moments. Haydn's orchestration often benefits from a leaner string sound, especially in the faster material.

How to use it

Pair this with other Classical-era symphonic arrangements to build a concert around the period's elegance and structural clarity. It also sits comfortably in a festival or competition program where judges appreciate both technical and musical maturity.

Skills your students will build

  • Executing rapid string passages with rhythmic precision
  • Maintaining ensemble balance across divided sections
  • Sustaining forward momentum through formal structures
  • Interpreting Classical-era orchestration and phrasing conventions
  • Playing extended runs and scalar passages with clarity

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