Swing's the Thing!: SSA Choral Octavo
I Got Rhythm / How High the Moon / Big Noise from Winnetka / Get Happy
Arr. Alan Billingsley
Item: 00-PO-0002025
Minimum order quantity: 20 copies
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About the Arranger: Alan Billingsley

Alan Billingsley has built a career spanning orchestration, composition, and arrangement across education, broadcast, and commercial performance. His credentials include music direction for NBC's daytime series, collaborations with The Walt Disney Company on attractions worldwide, and original songwriting for Broadway-style productions. He has served as a clinician at Disneyland's Magic Music Days and holds a degree in music and psychology from Indiana University.
Beyond the concert hall, Billingsley's work appears in recordings, television productions, corporate events, and theme park shows. Seven of his compositions have been nominated for Grammy consideration, and he operates a fully digital recording studio in the Los Angeles area. His arrangements consistently balance accessibility with sophistication, making them reliable choices for educational ensembles at all levels.
Why we love this
Billingsley's swing collection taps into genuine crowd energy without sacrificing musicianship. The combination of four treasured standards in a single five-minute package gives your choir immediate concert impact, and his voicing for SSA keeps the writing singable while maintaining the swagger these era-defining tunes demand.
What to expect
Instant nostalgia mixed with contemporary swing polish. The four favorites sit comfortably in the ear, but Billingsley's arrangement brings enough rhythmic snap and harmonic color to feel fresh rather than nostalgic.
Who it's for
Concert and show choirs looking for a short, high-energy opener or closer that audiences recognize instantly. The SSA voicing serves treble-heavy choirs while remaining accessible to mixed ensembles with lighter soprano sections.
How to get the most out of it
- Anchor the rhythm section's groove early in rehearsal. Even though this is a choral arrangement, the band parts drive the swing feel, so coordinate with your accompanist or pianist on pulse and articulation before focusing on vocal blend.
- Emphasize the triplet subdivisions within the swing style. Modern singers often swing rhythms too straight, so isolate trouble spots with a "ta-ba-du" articulation to lock the elastic, off-beat phrasing these standards require.
- Let the recorded accompaniment guide your tempo choices in early rehearsals. Once the ensemble internalizes the groove, you can adjust slightly, but Billingsley's arrangement is built on a specific energy that the accompaniment track preserves perfectly.
- Shape dynamics to match the era's swagger. These arrangements come alive when you commit to punchy, well-defined dynamics rather than keeping everything in a comfortable middle ground.
How to use it
Program this as a peak moment in the first half of a concert, especially if you're bracketing it with contrasting repertoire. The five-minute length and crowd-pleasing content also make it ideal for pops shows, variety concerts, or as a welcome opener that signals fun to the audience immediately.
Skills your students will build
- Singing with swing articulation and rhythmic precision
- Interpreting jazz-influenced phrasing and dynamic shaping
- Blending three-part SSA voicing with stylistic cohesion
- Responding to and syncing with accompaniment and rhythm section
- Sustaining energy and character consistency across multiple standards in one arrangement