Swing's the Thing!: SATB Choral Octavo
I Got Rhythm / How High the Moon / Big Noise from Winnetka / Get Happy
Arr. Alan Billingsley
Item: 00-PO-0002023
Minimum order quantity: 20 copies
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About the Arranger: Alan Billingsley

Alan Billingsley brings decades of professional arranging and composing experience across educational settings, commercial recordings, television, and live performance. His work spans theme park productions, corporate events, and original musical theatre; he has served as music director for major television productions and collaborated extensively with The Walt Disney Company on attractions and educational clinics. Billingsley holds a music degree from Indiana University and maintains a full digital recording studio in Los Angeles, where he continues to produce arrangements and compositions across multiple genres.
Seven of Billingsley's works have been selected for Grammy consideration, and his compositions have been recorded by various professional artists. His dual expertise in both the commercial and educational markets makes his choral arrangements particularly distinctive: they reflect real-world performance practices while remaining accessible to student ensembles.
Why we love this
Billingsley's arrangement captures the energy and sophistication of swing era writing without overwhelming singers or requiring instrumental arrangements that aren't available. Four contrasting favorites across five minutes give you genuine variety and programming flexibility; this isn't a medley that feels disjointed but a cohesive performance statement that audiences genuinely connect with. The recorded accompaniment opens this up for choirs without live band resources, making it competitive for concert and show choir settings alike.
What to expect
A jukebox moment of pure joy. These five minutes transport singers and audiences back to an era when swing meant sophistication, humor, and unbridled musicality. The arrangement captures that infectious ease without camp; voices soar through the familiar melodies while the harmonic backdrop keeps the writing moving and contemporary enough to sound alive in a modern concert setting.
Who it's for
Concert choirs seeking repertoire with immediate appeal and show choirs building setlists that blend standards with fresh arranging. Any SATB ensemble comfortable with syncopated rhythms and swing inflection will find this accessible and genuinely fun to perform.
How to get the most out of it
- Anchor the rhythm section (or the recorded accompaniment if performing with tracks) from measure one; swing phrasing only lands when the rhythmic foundation feels absolutely locked
- Shape the dynamic arc across all four tunes rather than treating each as a standalone moment; let the arrangement breathe between songs through brief tempo relaxations or volume shifts
- Encourage singers to think horizontally through the phrase lines instead of measure-by-measure; swing era writing often phrases across the bar line, and voices will sound more natural and less choppy when they commit to that longer line
- Pay attention to ensemble vowels when voices move into close harmony or unison sections; crisp, matched vowel shapes will make the swing rhythms sit tighter and the sound more cohesive
How to use it
Program this as a bridge between your concert's more serious repertoire and its closer, or anchor a full pop choral set with a piece that has genuine historical weight. The song selection and five-minute length make it ideal for variety show contexts or as a featured moment within a larger production number.
Skills your students will build
- Swing rhythmic phrasing and syncopation
- Singing with jazz articulation and dynamics
- Blending into tight harmony voicings across all voice parts
- Following a recorded accompaniment with precision
- Interpreting musical style from era-specific arranging choices