Swing Low, Sing Low Cover Image

Swing Low, Sing Low: Choral SoundPax

$30.00 USD
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Swing Low, Sing Low Cover Image

Swing Low, Sing Low: Choral SoundPax

Featuring: When the Saints Go Marchin' In / Swing Low Sweet Chariot

Arr. Philip Kern

Item: 00-23018

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Description
Includes parts for clarinet, t. sax., 2 trumpet, trombone, tambourine, and rhythm.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Swing Low, Sing Low: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 36
UPC: 038081222011
SKU: 00-23018
Instrumentation: SoundPax

More about this title

About the Arranger: Philip Kern

Philip Kern is an accomplished arranger known for his work with choral ensembles across educational and professional settings. His arrangements balance accessibility with musical substance, creating pieces that engage singers while respecting the integrity of traditional material.

Why we love this

Kern's arrangement transforms this spiritual into a fully realized theatrical experience by layering instrumental color beneath the choir. The inclusion of movement and staging guidance makes this piece ready to perform as a complete production rather than a standalone vocal number.

What to expect

Reverent yet swinging, with the spiritual's devotional core enhanced by warm brass textures and rhythmic vitality. The combination of choir and instruments creates intimate moments of reflection alongside fuller, more celebratory passages.

Who it's for

Choirs looking to program a sacred work with dramatic depth and ensemble involvement. This piece works for high school, college, and community choirs with access to a small instrumental ensemble or willingness to add one for concert performances.

How to get the most out of it

  • Balance the choir against the instrumental parts by thinking of the ensemble as one unified sound rather than vocals over accompaniment. The rhythm section anchors everything; ensure your drummer and bass player are locked in before rehearsing with winds.
  • Teach the staging and movement as carefully as the music. Physical storytelling extends the emotional arc of the spiritual and gives singers concrete action to connect with.
  • Use the recorded accompaniment during rehearsals when you cannot have all instrumentalists present. This keeps choir rehearsals moving and prevents singers from relying on live musicians too early.

How to use it

Feature this as a concert centerpiece or finale, especially in programs pairing multiple spirituals or exploring African American sacred music traditions. The theatrical elements make it ideal for a full-length concert rather than a shorter service or competition setting.

Skills your students will build

  • Singing across changing harmonic textures created by instrumental layers
  • Maintaining rhythmic precision when performing alongside a rhythm section
  • Coordinating movement and staging with sung material
  • Blending vocal tone with instrumental color in an ensemble context

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