Suzuki Violin School, Volume 4 Cover Image

Suzuki Violin School, Volume 4: Violin Book & CD

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Suzuki Violin School, Volume 4 Cover Image

Suzuki Violin School, Volume 4: Violin Book & CD

Asian Edition

By Shinichi Suzuki / violin performed by Augustin Hadelich / piano accompaniment performed by Kuang-Hao Huang

Item: 00-50633

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Authorized Asian Edition - Available ONLY in Asia.

Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.

This Suzuki Book & CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 4 features:
* New editing of pieces, including bowings and fingerings
* Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers
* Text in English, French, German, and Spanish
* New Musical Terms
* Composers
* CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes.

Titles: Lullaby (Schubert) * Lullaby (Brahms) * Concerto No. 2 in G Major, Op. 13, 3rd Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 1st Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 3rd Movement (Seitz) * Concerto in A Minor, 1st Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Perpetual Motion, "Little Suite No. 6" (Bohm) * Concerto for Two Violins in D Minor, BWV 1043, Violins I and II (Bach), * Concerto for Two Violins in D Minor, BWV 1043, Violins II (Bach), and * Concerto for Two Violins in D Minor, BWV 1043, Violins I (Bach)
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Additional Details
Series: Suzuki Violin School
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-5536-5
ISBN13: 978-1-4706-5536-5
UPC: 038081575179
SKU: 00-50633

More about this title

About the Composer: Shinichi Suzuki

Shinichi Suzuki (1898-1998) was a violinist, pedagogue, and founder of the Suzuki Method, a philosophy of music education that transformed how children learn instruments worldwide. His approach rests on a fundamental belief: every child possesses innate musical ability that flourishes when nurtured in a supportive environment, much like a child acquires language by listening and imitating native speakers. Suzuki's method emphasizes listening, repetition, and parental involvement, treating music education as character development rather than mere technical training.

Beyond his innovations in pedagogy, Suzuki was a accomplished violinist who studied in Europe and performed internationally. He synthesized his experiences as a performer with his vision for universal music education, creating a systematic repertoire and teaching sequence that has influenced millions of students across generations. His legacy extends far beyond the violin; the Suzuki Method has been adapted for nearly every orchestral instrument and remains central to music education in schools and private studios globally.

Why we love this

Volume 4 represents a sophisticated progression where students develop genuine musicianship rather than merely executing technical exercises. The integration of the recorded performances by Augustin Hadelich alongside piano accompaniment tracks allows students to hear authentic violin sound and musical phrasing while building their own interpretive voice. Teachers appreciate how the revised editing, multilingual text, and teacher insights create flexibility for diverse learning contexts while maintaining the pedagogical integrity Suzuki intended.

What to expect

The pieces in Volume 4 blend pedagogical purpose with genuine beauty, allowing students to experience the satisfaction of playing recognizable, musically rewarding repertoire. The included works span classical miniatures and folk songs arranged with increasing harmonic sophistication, creating a sense of gradual artistic expansion without overwhelming technical jumps. Students at this level begin to feel themselves becoming musicians rather than merely learning an instrument.

Who it's for

Volume 4 serves students who have completed Volumes 1-3 and are ready for more substantial repertoire with increasing technical and musical demands. This level is appropriate for elementary through early middle school students, depending on when they began lessons, and works best with students who practice consistently and have developed secure left-hand independence and basic vibrato.

How to get the most out of it

  • Listen to Augustin Hadelich's recording daily before practice; let your ear absorb phrasing, vibrato placement, and tone quality so your body learns what musicality sounds like
  • Use the piano accompaniment tracks during practice to develop ensemble awareness and rhythmic confidence, which shifts focus from isolated technical work to collaborative music-making
  • Work closely with your teacher on the revised fingerings and bowings, as these reflect decades of teaching experience and are designed to build efficient technique for repertoire to come
  • Record yourself weekly and compare your playing to the model recording; this develops your ear for intonation and stylistic details you may not hear in real time

How to use it

Volume 4 repertoire works well in studio recitals where students can demonstrate stylistic range alongside peers working at different levels. The pieces also fit naturally into school concerts, cultural programs, or community events where young string players share classical and folk traditions. Consider pairing Volume 4 solos with ensemble pieces so students experience both solo and collaborative contexts.

Skills your students will build

  • Vibrato execution and control across different note lengths
  • Shifting between positions with secure intonation
  • Bow distribution and tone production across dynamic ranges
  • Left-hand independence and finger agility in more complex passages
  • Musical interpretation and phrasing beyond note-reading
  • Ensemble listening skills using piano accompaniment tracks
  • Cross-cultural musical understanding through folk and classical repertoire

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