Suzuki Violin School, Volume 4 Cover Image

Suzuki Violin School, Volume 4: Violin Performance/Accompaniment CD

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Suzuki Violin School, Volume 4 Cover Image

Suzuki Violin School, Volume 4: Violin Performance/Accompaniment CD

International Edition

Perf. Augustin Hadelich / accomp. perf. Kuang-Hao Huang

Item: 00-50107

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Description
Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.

This CD of the Suzuki violin method, Volume 4 features recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes.

Titles: Lullaby (Schubert) * Lullaby (Brahms) * Concerto No. 2 in G Major, Op. 13, 3rd Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 1st Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 3rd Movement (Seitz) * Concerto in A Minor, 1st Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Perpetual Motion, "Little Suite No. 6" (Bohm) * Concerto for Two Violins in D Minor, BWV 1043, Violins I and II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins I (Bach).

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Additional Details
Series: Suzuki Violin School
Publisher: Alfred Music
ISBN10: 1-4706-5164-5
ISBN13: 978-1-4706-5164-0
UPC: 038081572543
SKU: 00-50107

More about this title

About the Composer: Shinichi Suzuki

Shinichi Suzuki (1898-1998) was a violinist, pedagogue, and philosopher who fundamentally reshaped how children learn music. He developed the Suzuki Method based on his belief that musical ability is not inborn but cultivated through environment and loving guidance, much like language acquisition. His approach has influenced music education worldwide and remains one of the most widely adopted instrumental teaching systems for young learners.

Suzuki's legacy extends far beyond violin pedagogy. He demonstrated that young children could develop genuine musicianship and technical proficiency when taught with patience, parental involvement, and systematic exposure to quality music. The Suzuki Method emphasizes listening, repetition, and the development of character alongside musical skill, reflecting Suzuki's conviction that music education serves the whole person.

Why we love this

This recording pairs Augustin Hadelich's authoritative violin performances with clean piano accompaniment tracks, giving students both a performance model to aspire toward and practical material for daily practice. The dual-track format honors the Suzuki philosophy that listening shapes musicianship, while the accompaniment-only versions let students experience ensemble playing from the earliest stages of learning.

What to expect

The Seitz and Vivaldi concerto movements convey confident virtuosity paired with lyrical warmth. Hadelich's playing brings elegance to the Brahms and Schubert lullabies while showcasing the technical firepower needed for the faster movements, creating an arc from introspection to brilliance across the volume.

Who it's for

Volume 4 students in the Suzuki Violin School curriculum who are ready to tackle standard violin concerto literature and want to hear professional reference recordings. This CD serves both the student working through repertoire at home and the teacher seeking quality accompaniment for rehearsal and performance preparation.

How to get the most out of it

  • Listen to Hadelich's interpretation multiple times before rehearsing, focusing on tone quality, phrasing, and how he shapes the longer lines in the concerto movements.
  • Use the piano-only tracks during practice sessions to build ensemble awareness and maintain steady tempo without relying on the recorded violin.
  • Pay attention to how Hadelich approaches vibrato and intonation in passages that recur throughout these pieces, then model your own sound accordingly.
  • Work with your teacher to identify sections where the recorded tempo feels slightly different from your instinctive pacing, then decide intentionally which approach serves the music best.

How to use it

These recordings support both private lesson work and preparation for student recitals or ensemble performances at the intermediate level. The accompaniment tracks make it possible for students to perform concerto movements in recital settings, even when a collaborative pianist is unavailable.

Skills your students will build

  • Listening for tone quality, vibrato, and phrasing in professional performances
  • Playing with steady intonation over extended melodic lines
  • Maintaining rhythmic precision while playing with piano accompaniment
  • Developing confidence in faster passagework and technical figures
  • Building musicality through exposure to diverse stylistic periods (Baroque, Classical, Romantic)

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