Suzuki Violin School, Volume 3 Cover Image

Suzuki Violin School, Volume 3: Violin Performance/Accompaniment CD

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Suzuki Violin School, Volume 3 Cover Image

Suzuki Violin School, Volume 3: Violin Performance/Accompaniment CD

Performed by David Nadien

Item: 00-0348

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Description
Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.

This CD of the Suzuki violin method, Volume 3 features recordings by David Nadien with piano accompaniment, as well as piano accompaniments recorded alone.

Titles: Tonalization * Gavotte (Martini) * Minuet, BWVAnh. II 114/Anh. III 183/Anh. II 115 (Bach) * Gavotte in G Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (Bach) * Humoresque, Op. 101, No. 7 for Piano (Dvorák) * Gavottes I and II from Suite III in C Major for Violoncello, BWV 1009 (Becker) * Gavotte in D Major (Bach) * Bourrée, Bourées I and II from Suite III in C Major for Violoncello, BWV 1009 (Bach).

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Additional Details
Series: Suzuki Violin School
Publisher: Alfred Music
ISBN10: 0-87487-348-7
ISBN13: 978-0-87487-348-1
UPC: 029156150261
SKU: 00-0348

More about this title

About the Artist: David Nadien

David Nadien is a violinist of considerable stature in American musical life, with a career spanning decades of solo performance, chamber music, and recording. His extensive discography includes numerous classical recordings, and his work as a performer and recording artist has made him a trusted voice in violin pedagogy circles. Nadien's recordings for educational series like Suzuki demonstrate his commitment to providing students with models of clear, accomplished playing that illuminate the repertoire they are learning.

Why we love this

This recording pairs authentic, musically mature violin performance with separate piano accompaniments that give students independence in rehearsal. Nadien's clear articulation and consistent tone set a reliable standard for intonation and phrasing as students work through Volume 3's baroque repertoire.

What to expect

The baroque dances and gavottes sparkle with elegant restraint; Nadien's approach honors the period without stiffness, giving each ornament purpose and each phrase clear direction. The piano accompaniments are warm and supportive, creating a chamber music partnership that feels intimate rather than formal.

Who it's for

Volume 3 students in the Suzuki program who are ready to refine their baroque interpretation through listening. This recording supports the private lesson model by providing a reference point for tone quality and phrasing that reinforces what the teacher is developing in the studio.

How to get the most out of it

  • Listen to Nadien's recordings multiple times before rehearsing with your teacher, letting your ear absorb the shape of each piece before adding your own interpretation.
  • Use the piano accompaniment alone to work out rhythmic precision and harmonic awareness without the distraction of tracking the violin line.
  • Compare Nadien's interpretation with your own playing to identify differences in vibrato speed, bow weight, and articulation choices, then discuss with your teacher which elements serve the style.

How to use it

Assign sections of this recording as listening homework between lessons, asking students to notate articulation choices or vibrato patterns they observe. The accompaniment tracks are essential for solo practice sessions when a teacher or accompanist is not available.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Intonation refinement through careful listening
  • Bow control in ornamental figures and bow changes
  • Independence in following harmonic accompaniment
  • Stylistic interpretation through ear training

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