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Suzuki Viola School, Volume 4: Viola Book & CD

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Suzuki Viola School, Volume 4 Cover Image

Suzuki Viola School, Volume 4: Viola Book & CD

International Edition

Viola performed by William Preucil, Sr. / piano accompaniment performed by Doris Preucil

Item: 00-40694

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Description
Teach viola with the popular Suzuki Viola School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Viola School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki viola teacher to develop their potential as a musician and as a person. This Suzuki Book & CD, Volume 4, is integral for Suzuki viola lessons and features recordings by William Preucil, accompanied by Doris Preucil.

Titles: Concerto No. 2, 3rd Movement (Seitz) * Concerto No. 5, 1st Movement (Seitz) * Tonalization: Lullaby, Wiegenlied, Op. 98, No. 2 (Schubert) * Tonalization: Lullaby, Wiegenlied, Op. 49, No. 4 (Brahms) * Concerto in D Minor, 1st Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (Vivaldi) * Concerto in D Minor, 3rd Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (Vivaldi) * Concerto in G Major (Largo, Allegro, Andante, Presto) (Telemann) * Concerto in G Major for Two Violas (Lento, Allegro, Largo, Vivace) (Telemann).

For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in MakeMusic Cloud.

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Additional Details
Series: Suzuki Viola School
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-9708-3
ISBN13: 978-0-7390-9708-3
UPC: 038081461540
SKU: 00-40694

More about this title

About the Artist: Doris Preucil

Doris Preucil

Doris Preucil founded and directed the Preucil School of Music while maintaining an active performance career as a violinist with the Washington National Symphony and Rochester Philharmonic. She holds an honors degree from the Eastman School of Music and taught at Western Illinois University, the University of Northern Iowa, and Interlochen Arts Camp, performing and leading workshops across the United States, Canada, Europe, South America, Asia, and Australia.

As a Suzuki educator since 1963, Preucil authored the Suzuki Viola School and shaped the international Suzuki movement as a founding Board Member of the International Suzuki Association and Past President of the Suzuki Association of the Americas. Her contributions earned her the Iowa String Teachers Association's Teacher of the Year award in 2005 and a Lifetime Achievement Award from Eastman in 2004.

Why we love this

Volume 4 shifts toward genuine concerto work, giving students their first taste of solo repertoire that sounds and feels like "real" music. The pairing of Seitz and Vivaldi concertos grounds viola technique in meaningful musical contexts rather than isolated exercises, while the tonalization studies on Schubert and Brahms keep ear training integral to the method's philosophy.

What to expect

This volume opens the door to ensemble consciousness and showpiece confidence. The Vivaldi concertos in particular carry baroque clarity and lyrical moments that reward careful phrasing, while the Seitz selections offer achievable virtuosity without overwhelming young players.

Who it's for

Suzuki viola students progressing into their fourth year of study, ready to tackle multi-movement concertos and develop interpretive maturity. Teachers seeking sequenced repertoire that builds concerto literacy while maintaining the Suzuki method's emphasis on ear training and parental involvement.

How to get the most out of it

  • Listen to the Preucil recording repeatedly before rehearsing; the mother-tongue approach relies on internalization before execution, so let your ear lead your fingers
  • Work through tonalizations first each session to establish the sound quality the concertos demand, treating them as tuning forks for intonation rather than warm-ups
  • Isolate the first few measures of each concerto movement until the fingering patterns feel automatic; the Vivaldi transcriptions benefit from fluency before you address phrasing
  • Record yourself and compare against the CD; Suzuki students develop critical listening skills by noticing details in tempo, vibrato control, and articulation

How to use it

Reserve this volume for students nearing their first solo recital or ready to perform in a Suzuki group performance. The Vivaldi and Seitz concertos work well on early spring recitals, giving students concrete solo experience before summer festivals or competitions.

Skills your students will build

  • Multi-movement concerto form (fast-slow-fast structures)
  • Baroque articulation and phrasing conventions
  • Sustained vibrato in slow movements
  • Intonation refinement through tonalization on classical melodies
  • Memorization of substantial solo works
  • Ensemble awareness when playing with piano accompaniment

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