Suzuki Piano School New International Edition CD, Volume 3 Cover Image

Suzuki Piano School New International Edition CD, Volume 3: Piano CD

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Suzuki Piano School New International Edition CD, Volume 3 Cover Image

Suzuki Piano School New International Edition CD, Volume 3: Piano CD

Perf. Seizo Azuma

Item: 00-30035

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Description
The newly recorded CD for the New International Edition of Suzuki Piano School, Volume 3 is performed by internationally renowned recording artist Seizo Azuma and includes new Romantic and 20th-Century pieces. Now the book and CD can be purchased together or separately. Titles: Sonatina in C Major, Op. 36, No. 1 (Allegro, Andante, Vivace) (Clementi) * Minuet in G Minor, from Bach's Notebook for Anna Magdalena Bach (Petzold) * Sonatina in C Major, Op. 55, No. 1 (Allegro, Vivace) (Kuhlau) * Theme, from Symphony No. 3 ("Eroica"), Op. 55, 4th Movement (Beethoven / Unknown) * The Wild Rider, from Album for the Young, Op. 68, No. 8 (Schumann) * Little Waltz, from Little Flowers, Op. 205, No. 10 (Gurlitt) * Écossaise, K. WoO 23 (Beethoven) * Sonatina in C Major, Op. 36, No. 3 (Spiritoso) (Clementi) * Teasing Song, from For Children, Sz. 42 (Bartók).

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Additional Details
Series: Suzuki Piano School
Publisher: Alfred Music
ISBN10: 0-7390-5169-5
ISBN13: 978-0-7390-5169-6
UPC: 038081325972
SKU: 00-30035

More about this title

About the Artist: Seizo Azuma

Seizo Azuma is an internationally recognized recording artist and pianist whose interpretations of classical repertoire have set the standard for pedagogical recordings. His work with the Suzuki method spans decades, bringing clarity, musicality, and technical precision to performances designed for young musicians learning through listening and imitation.

Why we love this

Azuma's performances on this CD offer students authentic models for the transition from Baroque into Classical and Romantic territory. His technical command and lyrical phrasing across nine contrasting pieces give your students something far better than a metronome: a musical voice that demonstrates how these works breathe, where tension and release live, and how discipline and expression coexist.

What to expect

The nine pieces span a journey from the refined elegance of Clementi and Bach through the heroic boldness of Beethoven's Eroica theme, arriving at the playfulness of Schumann and Bartók. Azuma's interpretations respect the structural clarity of Classical forms while revealing the emotional depth that makes these works endure.

Who it's for

This recording is essential for Suzuki piano students working through Volume 3, as listening remains central to the method's philosophy of learning through imitation. It serves parents and teachers who need a reliable, artistically mature model to support daily practice and help students internalize the musical character of each piece.

How to get the most out of it

  • Listen to the full piece first without the score to absorb Azuma's overall interpretation, then follow along with the notation to identify where he shapes phrasing and responds to harmonic movement.
  • Use the recording as your practice reference when learning a new piece; pause sections to slow them down and focus on matching tone quality and articulation before worrying about tempo.
  • Return to the recording periodically as your technique improves; you'll hear new details in Azuma's pedaling choices and rubato that become meaningful only once your fingers are secure.

How to use it

Play this recording during Suzuki group classes so all students hear the same reference interpretation, reinforcing shared musical goals. Teachers can also use sections of it in recital rehearsals to help students understand how their pieces fit into the broader narrative of piano literature from the 18th through 20th centuries.

Skills your students will build

  • Listening for phrasing contours and harmonic punctuation in Classical sonata structures
  • Recognizing stylistic differences between Baroque ornamentation and Romantic expression
  • Internalizing tempo relationships within multi-movement pieces (Allegro-Andante-Vivace forms)
  • Understanding pedal color and when to use or avoid it in different harmonic contexts
  • Distinguishing between legato, staccato, and mixed articulation based on musical intent

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