Suzuki Piano School International Edition Piano Book and CD, Volume 3 Cover Image

Suzuki Piano School International Edition Piano Book and CD, Volume 3: Piano Book & CD

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Suzuki Piano School International Edition Piano Book and CD, Volume 3 Cover Image

Suzuki Piano School International Edition Piano Book and CD, Volume 3: Piano Book & CD

International Edition

Perf. Seizo Azuma

Item: 00-30034

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Description
The New International Edition of Suzuki Piano School, Volume 3 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately.

The contents have changed slightly to include a new Romantic piece by Gurlitt and a 20th-century piece by Bartók as well as the Bach "Minuet in G Minor" (from Notebook for Anna Magdalena Bach), formerly in Volume 2. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers.

Titles: Sonatina in C Major, Op. 36, No. 1 (Allegro, Andante, Vivace) (M. Clementi) * Minuet in G Minor, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in C Major, Op. 55, No. 1 (Allegro, Vivace) (F. Kuhlau) * Theme, from Symphony No. 3 ("Eroica"), Op. 55, 4th Movement (L. van Beethoven, Arr. Unknown) * The Wild Rider, from Album for the Young, Op. 68, No. 8 (R. Schumann) * Little Waltz, from Little Flowers, Op. 205, No. 10 (C. Gurlitt) * Écossaise, K. WoO 23 (L. van Beethoven) * Sonatina in C Major, Op. 36, No. 3 (Spiritoso) (M. Clementi) * Teasing Song, from For Children, Sz. 42 (Béla Bartók).

The International editions include an updated title page that designates the book as the International Edition.

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Additional Details
Series: Suzuki Piano School
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-5168-7
ISBN13: 978-0-7390-5168-9
UPC: 038081325965
SKU: 00-30034

More about this title

About the Artist: Seizo Azuma

Seizo Azuma is an internationally recognized recording artist and pianist whose interpretations of classical and Romantic repertoire have shaped how generations of young musicians hear and understand the standard keyboard literature. His recordings for Suzuki materials bring clarity, musical maturity, and pedagogical thoughtfulness to the listening experience, modeling both technical facility and interpretive awareness for students at every level.

Why we love this

Volume 3 anchors the transition from early-intermediate to intermediate repertoire with pieces that genuinely reward musical growth. The inclusion of Schumann, Gurlitt, and Bartók alongside Bach and Clementi gives students access to Romantic and 20th-century voices they'd otherwise miss until much later, while Azuma's recorded performances set a standard for phrasing and voicing that students can reference as they work through each piece.

What to expect

This collection spans four centuries of keyboard writing, from Bach's contemplative counterpoint through Romantic character pieces to Bartók's modern playfulness. Each piece carries its own mood and technical demand; you'll move from the elegant architecture of Clementi's sonatinas to the spirited energy of The Wild Rider to the rhythmic intrigue of Teasing Song, finding fresh challenges and rewards in each style.

Who it's for

Students in their intermediate years who are ready to explore sonatina form, multi-movement structures, and music beyond the Baroque and Classical periods. Teachers using the Suzuki method will find Volume 3 essential for students transitioning to greater independence and stylistic awareness, particularly those progressing through the standard sequence in sequential order.

How to get the most out of it

  • Listen to Azuma's interpretation of the sonatinas before beginning score study; his approach to articulation and voicing in the Clementi and Kuhlau pieces will clarify textural priorities you'll build into your own playing.
  • Shape the Schumann and Gurlitt pieces with attention to the singing quality Azuma models; these Romantic pieces demand a different touch than the Classical sonatinas and benefit from careful listening to how he balances melody with accompaniment.
  • Use the Bach minuet to refine your understanding of baroque ornamentation and voice leading; the recorded performance shows how restraint and clarity serve the counterpoint rather than obscuring it.

How to use it

Volume 3 serves as the natural progression for students completing Volumes 1 and 2, offering recital repertoire at the intermediate level that stands up to concert performance. The diverse style content makes it ideal for student recitals that showcase range across historical periods, and the companion CD ensures that reference performances are always available for home practice and listening.

Skills your students will build

  • Understanding sonatina form and multi-movement structure
  • Baroque ornamentation and voice leading in counterpoint
  • Romantic-era phrasing and singing tone at the keyboard
  • Reading and interpreting character pieces from multiple musical periods
  • Stylistic differentiation between Classical, Romantic, and 20th-century writing
  • Building technical facility through progressively demanding figurations

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