Supplementary Solos, Level 2 Cover Image

Supplementary Solos, Level 2: Piano Book

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Supplementary Solos, Level 2 Cover Image

Supplementary Solos, Level 2: Piano Book

Selected and edited by Frances Clark and Louise Goss

Level: Late Elementary

Item: 00-0106

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Description
These supplementary collections provide that indispensable aspect of any keyboard curriculum, musical 'dessert' -- music in lighter popular styles and a variety of rich, diverse character pieces. Effective antidotes to lagging student interest, the pieces are primarily recreational in nature, but also promote rhythmic and technical development.

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Additional Details
Series: Frances Clark Library Supplement
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-87487-106-9
ISBN13: 978-0-87487-106-7
UPC: 724258010696
SKU: 00-0106

More about this title

Why we love this

Students need music that speaks to them, and this collection delivers exactly that. These pieces break the mold of standard etudes by pairing genuine musical enjoyment with solid rhythmic and technical work, making practice feel like play rather than obligation.

What to expect

A relief from the weight of formal study. These pieces carry genuine musical personality, whether playful, lyrical, or rhythmically spirited. Each one feels like a small reward for the work of building solid piano fundamentals.

Who it's for

Late elementary pianists who need engaging material beyond technical studies but aren't yet ready for traditional classical repertoire. This book works especially well for students whose interest wavers when lessons focus solely on technique.

How to get the most out of it

  • Match the stylistic character to the recording if one is available; lighter pieces demand crisp articulation and relaxed tempo control.
  • Balance rhythmic precision with the conversational feel these popular-style pieces demand; they should never sound mechanical.
  • Encourage students to listen to real examples of the styles represented, whether jazz, folk, or other genres, so the idioms feel authentic rather than imitative.

How to use it

Rotate one of these pieces into every few weeks of lessons as a motivational counterpoint to scales and method book work. They're ideal for recitals where you want to showcase personality and style alongside classical polish, or for ensemble performances where a piano solo can brighten the program.

Skills your students will build

  • Rhythmic independence and control in popular and jazz-inflected idioms
  • Stylistic nuance and expressive shaping beyond classical convention
  • Hand-eye coordination across a variety of technical figurations
  • Listening and interpretive skills through exposure to character pieces and lighter forms

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