Superhits! Sheet Music Preview

Superhits!: SATB Choral Octavo

Featuring: Born This Way / Firework / Till the World Ends / The Edge of Glory

Arr. Alan Billingsley

Item: 00-PO-0001392

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$2.50

Minimum order quantity: 20 copies

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Description
Unbelievable! This combination of four mega-hits made famous by hot female artists Lady Gaga, Katy Perry, and Britney Spears features over 4 1/2 fabulous minutes of chart-topping fun!

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Additional Details
Publisher: Alfred Music
Page Count: 20
SKU: 00-PO-0001392

More about this title

About the Arranger: Alan Billingsley

Alan Billingsley

Alan Billingsley has built a career across multiple disciplines as an arranger, composer, orchestrator, and producer working in educational settings, commercial recordings, television, and live entertainment. His prolific output spans work for NBC's daytime programming, Disney theatrical productions and theme park attractions, Broadway-style musicals, and corporate events. He holds a degree in music and psychology from Indiana University and operates a full digital recording studio in the Los Angeles area.

Billingsley's arrangements are staples in the educational choral market, and his compositions have earned recognition including Grammy Award considerations. He has served as a clinician for Disney's "Magic Music Days" program at Disneyland and maintains an active presence in both the commercial and educational music communities.

Why we love this

Billingsley's ear for contemporary pop translates beautifully to choral voicing. This arrangement packs genuine entertainment value into a manageable 20-page octavo, giving your singers material that feels current and energizing without sacrificing singability or musicianship.

What to expect

Four minutes of pure chart-driven fun. The medley format keeps momentum high, moving briskly between recognizable hits that audiences immediately connect with. It's the kind of piece that reminds singers why they enjoy performing.

Who it's for

Choirs looking for contemporary repertoire that energizes singers and audiences alike. This works well for groups comfortable with pop idioms and seeking concert material that appeals to teen and young adult voices without requiring advanced vocal technique.

How to get the most out of it

  • Lean into the rhythmic precision of the pop idiom; lock the rhythm section with your soloists to maintain the drive that made these songs radio staples.
  • Recorded accompaniment can ground your ensemble during early rehearsals, but gradually build independence in your internal parts so singers own the harmonic framework.
  • Balance the featured vocal moments with ensemble sections thoughtfully; these songs live on the strength of hooks and memorable melodies, so clarity of line matters more than volume.

How to use it

Ideal for spring concerts, variety shows, or any program that benefits from a high-energy moment. This works particularly well in mixed ensembles seeking secular material that bridges classical and contemporary contexts. Consider programming it after more serious repertoire to shift the concert mood.

Skills your students will build

  • Singing contemporary pop idioms with proper phrasing and articulation
  • Maintaining rhythmic independence in syncopated passages
  • Balancing solo and ensemble roles within a medley structure
  • Connecting with familiar melodies to develop ownership of material

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