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Summertime: Vocal Solo with Jazz Ensemble Conductor Score

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Summertime: Vocal Solo with Jazz Ensemble Conductor Score

Music and lyrics by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. John Denton

Grade: 3 (Medium)

Item: 00-38706S

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Description
This is a contemporary and funky-ballad treatment of this classic vocal. The key is D minor, the vocal range is A below middle C to 2nd space A. The instrumental parts are very reachable with lead trumpet range to written A above the staff, featuring a written-out tenor solo.

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Additional Details
Series: Jazz Vocal Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081437064
SKU: 00-38706S

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged the worlds of popular song, jazz, and concert music with uncommon fluency. He composed hundreds of songs for theater and film while simultaneously creating ambitious concert works like Rhapsody in Blue, proving that vernacular American music could sustain serious artistic ambition. His melodic gift and harmonic sophistication made him one of the most performed composers of the twentieth century, and his work remains central to both jazz repertoire and classical curricula.

Why we love this

John Denton's arrangement reimagines this standard through a contemporary jazz lens, trading nostalgia for groove without losing the song's essential character. The orchestration sits comfortably within jazz ensemble reach while giving your trumpet section and vocalist genuine showcases, making it substantial enough to anchor a concert without demanding virtuoso soloists.

What to expect

Sultry and contemporary, with the warmth of a classic tune filtered through modern sensibilities. The D minor key and jazz voicings create intimacy while the funky rhythmic undercurrent keeps the arrangement engaging rather than precious.

Who it's for

Vocalists comfortable in the jazz idiom and jazz ensembles ready to feature their singer in a medium-difficulty setting. Grade 3 instrumentation keeps the ensemble requirement accessible while preserving musical interest, making this ideal for high school jazz programs or community ensembles with solid fundamentals.

How to get the most out of it

  • Set the groove early in rehearsal; the funky-ballad style lives in the rhythm section's pocket rather than strict tempo, so lock the drums and bass before adding melodic voices.
  • Shape the written tenor solo as a conversation between the horn and vocal line; use dynamics to clarify when the soloist leads and when the singer responds.
  • Let the vocalist breathe naturally through the D minor tonality rather than forcing classical legit production; this arrangement invites a more contemporary vocal approach.

How to use it

Program this as a standalone feature or pair it with other jazz vocal selections to create a focused concert segment. It works equally well as a winter or spring concert centerpiece, or as a lighter summer program contrast to more demanding repertoire.

Skills your students will build

  • Singing with jazz phrasing and swing feel in a minor key
  • Reading and responding to written horn solos in ensemble context
  • Interpreting lead trumpet range up to written A without strain
  • Balancing vocal line with ensemble voicings in a rhythm-section-driven arrangement

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