Summer Nights Cover Image

Summer Nights: Concert Band Conductor Score & Parts

$75.00 USD
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Summer Nights Cover Image

Summer Nights: Concert Band Conductor Score & Parts

Mvt. 3 - Postcards from the First Coast

By Robert W. Smith

Grade: 4

Item: 98-RWS161100

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Description
A perfect encore for the concert band inspired by the hot summer nightlife of Florida's Atlantic coast. Featuring latin percussion, trumpets, trombones and saxophones, your audience will be tapping, clapping and perhaps even dancing in the aisles! An excellent addition to your spring concert program!

Original Item#: RWS-1611-00

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Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
ISBN10: 1-4706-9487-5
ISBN13: 978-1-4706-9487-6
UPC: 038081610726
SKU: 98-RWS161100

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among the most frequently performed composers of concert band and orchestral music in the United States. His catalog exceeds 400 published works, the vast majority distributed through Alfred Music. He holds degrees in Music Education from Troy State University and a Master's degree from the University of Miami.

Smith's original compositions and arrangements have traveled globally, from concert halls across North America, Europe, Australia, and Asia to televised events including the Macy's Thanksgiving Day Parade, the Olympic Games, and Opening Day at Dodger Stadium. His early symphonies, The Divine Comedy and The Odyssey, established his reputation for imaginative large-scale works, while pieces like The Tempest became foundational repertoire for developing bands. As a conductor and clinician, he has worked extensively throughout the United States, Canada, Japan, Australia, and Europe.

Why we love this

Smith writes concert music that genuinely connects with audiences. Summer Nights delivers exactly what a spring or early summer program needs: infectious rhythms, bright color, and the kind of energy that makes people lean forward in their seats without requiring a technically demanding ensemble. The Latin percussion and sectional interplay create natural moments for audience engagement without sacrificing musical substance.

What to expect

Warm Atlantic breezes, the pulse of a summer night, and the kind of rhythmic insistence that makes sitting still nearly impossible. Bright brass punctuates a steady Latin groove while saxophones weave melodic color throughout, creating a piece that feels both immediate and celebratory.

Who it's for

Concert bands at the Grade 4 level looking for a high-energy closer that plays equally well in formal concert settings and festival contexts. Directors seeking music that excites both ensemble and audience without demanding virtuosic technique from every section.

How to get the most out of it

  • Establish the Latin groove firmly in rehearsal before adding melodic content. The percussion foundation carries this piece, so lock that pocket early and often.
  • Balance the trumpet and trombone solos so they sit comfortably above the ensemble but never overshadow the rhythmic drive underneath. These are featured voices, not solo features.
  • Encourage your saxophones to voice their harmonic content with warmth and blend. The sax section provides crucial timbral color in the lighter sections; let it shine.
  • Treat the encore moment as a true celebration. Smith wrote this for movement and joy, so conduct with energy and allow your ensemble to feel the lift without pushing the tempo beyond what the Latin percussion can support cleanly.

How to use it

Program this as a closing number on spring or early summer concerts to capitalize on the seasonal relevance and audience energy. It also works effectively as a festival opener to set a confident, uplifting tone for the day.

Skills your students will build

  • Latin rhythm interpretation and stylistic accuracy
  • Sectional balance within a groove-based texture
  • Ensemble precision with layered percussion parts
  • Phrasing and ensemble shaping within a metrically driven context
  • Stylistic contrast between rhythmic sections and solo moments

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