Summer Holiday Cover Image

Summer Holiday: String Orchestra Conductor Score & Parts

$45.00 USD
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Summer Holiday Cover Image

Summer Holiday: String Orchestra Conductor Score & Parts

By Loreta Fin

Grade: 1.5

Item: 76-37449

$45.00
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Description
Written in G Major, this piece features syncopated rhythms and retakes. Violins and violas are required to use low 2nd fingers. 1st violins use high 3rds, while violas need to play low firsts for D-sharps. As the rhythms are quite repetitive, it is an excellent vehicle for introducing these new finger patterns. It has a bright, happy feel and is in 4/4 time. (2:02)

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Sample Pages

Sample Audio
1 StarCraft II Legacy of the Void --:--
2 Summer Holiday --:--

StarCraft II Legacy of the Void

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Sample Video
Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 124
UPC: 038081419299
SKU: 76-37449

More about this title

About the Composer: Loreta Fin

Loreta Fin

Loreta Fin trained at the Sydney Conservatorium of Music and began her career as a first violinist with the Sydney Youth Orchestra. For more than 25 years, she has served as Principal Viola player with the Queensland Pops Orchestra while maintaining an active schedule as a chamber and orchestral performer, collaborating with internationally recognized artists.

Fin has shaped string education as Director of Strings at Somerville House School in Brisbane since 1993, and her work as an adjudicator and conference presenter spans major Australian competitions and two American National String Teachers' Conferences. She has composed over 100 works for string orchestra published worldwide by Alfred Music, and her leadership in the Australian Strings Association (serving as both State and National President) earned her a Queensland State Award in 2009. In recent years, she has conducted the State and National Honours Ensembles Programs and received the National Award for Services to Music and String Teaching in Australia.

Why we love this

Fin designs this piece with genuine pedagogical purpose: the syncopated rhythms and finger pattern work repeat enough to build confidence without becoming tedious, and the bright G Major setting keeps energy high even as students navigate new technical ground. The contest/festival designation means your ensemble can work toward a concrete musical goal while absorbing essential viola and violin technique.

What to expect

Sunlit and energetic, with a carefree quality that belies the technical work underneath. The syncopated rhythms create forward momentum and playfulness, making the piece feel like a celebration rather than a study.

Who it's for

Young string ensembles working at the early intermediate level who need repertoire that teaches new hand positions without sacrificing musicality. This score and parts set suits directors introducing low 2nd fingers and high positions in a concert context where students can hear themselves playing something with genuine character.

How to get the most out of it

  • Isolate the low 2nd finger work in violas and violins during sectional rehearsals before combining parts; use the repetitive rhythms to let the new positions become automatic rather than conscious.
  • Balance the rhythmic drives across the ensemble by anchoring the syncopation in your beat; young players often rush or flatten syncopated passages when they lose contact with the conductor's pulse.
  • Record a sectional rehearsal of just the viola low firsts for D-sharps and let students hear themselves back; this builds awareness of intonation in positions that feel unfamiliar.

How to use it

Slot this into a spring or early summer concert where you want to showcase technical growth; the happy character and moderate length (just over two minutes) work well as a contrasting opener or closer alongside more lyrical pieces. It also prepares ensembles well for contest/festival submission, giving adjudicators a clear sense of where your young players stand with intermediate hand positions.

Skills your students will build

  • Low 2nd finger placement on violins and violas
  • High 3rd position on 1st violins
  • Low 1st position shifts on violas for D-sharps
  • Reading and executing syncopated rhythms in 4/4
  • Ensemble rhythmic coordination with retakes

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