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Student Instrumental Course: Tunes for Clarinet Technic, Level III: Clarinet Book

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Student Instrumental Course: Tunes for Clarinet Technic, Level III Cover Image

Student Instrumental Course: Tunes for Clarinet Technic, Level III: Clarinet Book

By Robert Lowry in collaboration with James D. Ployhar

Level: Advanced Intermediate

Item: 00-BIC00308A

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Description
The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

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Additional Details
Series: Student Instrumental Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7579-1033-5
ISBN13: 978-0-7579-1033-3
UPC: 654979054559
SKU: 00-BIC00308A

More about this title

About the Author: Robert Lowry

Robert Lowry is a foundational figure in band and instrumental music education, recognized for his systematic approach to building technical facility across all concert band instruments. His work prioritizes accessibility without sacrificing musical integrity, making his materials essential resources for ensemble directors managing heterogeneous skill levels.

Why we love this

Level III positions clarinet students at the threshold where technical patterns become musical vocabulary. Lowry's selection of tunes for this book transforms daily technic work into genuine musical engagement—students aren't grinding through exercises, they're learning to play actual music while building precision. The correlated structure across all Student Instrumental Course books means your entire section develops coherently, whether students are learning in a group class or private lesson.

What to expect

These tunes strike a balance between challenge and musicality. You'll encounter faster scalar passages, wider intervallic leaps, and more varied rhythmic figures than earlier levels, yet each piece remains vocal and singable enough that you can focus on clean execution rather than fighting unfamiliar melodic terrain. The repertoire draws from familiar musical idioms, giving students the rewarding sensation of developing competence in recognizable musical language.

Who it's for

Clarinet students in their third year of instruction or advanced intermediate players developing secure facility across registers and expanding their range of musical expression. This book serves both private studio students and section members in school band programs where individual growth must be tracked alongside ensemble development.

How to get the most out of it

  • Focus on maintaining consistent tone quality across the full range as technical passages increase in scope and speed; uneven tone production often signals tension in the embouchure or hand position rather than a fingering problem.
  • Use a practice journal to track which tunes expose inconsistencies in your technique; revisit those pieces weekly rather than moving forward prematurely.
  • Practice the most technically demanding passages at a tempo 20 percent slower than written, then gradually increase only after three consecutive clean repetitions at each tempo level.
  • Pay specific attention to articulation clarity in faster passages; sloppy tonguing becomes more apparent as sixteenth-note runs appear, so isolate articulation separately from fingering work.

How to use it

Assign this book alongside your band's concert repertoire at the point where students need targeted technical support for passages they'll encounter in full ensemble pieces. Private lesson teachers integrate these tunes as the primary technical and musical development tool during Level III, assigning one or two new tunes each week and using the correlated structure to keep students synchronized if they're also participating in school band.

Skills your students will build

  • Articulation control in sixteenth-note passages
  • Register transitions with consistent intonation
  • Dynamic shaping within extended scalar phrases
  • Rhythmic accuracy in varied meters and syncopated figures
  • Tone consistency across a wider dynamic range

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