Student Instrumental Course: Baritone (B.C.) Student, Level III Cover Image

Student Instrumental Course: Baritone (B.C.) Student, Level III: Baritone Book

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Student Instrumental Course: Baritone (B.C.) Student, Level III Cover Image

Student Instrumental Course: Baritone (B.C.) Student, Level III: Baritone Book

By Bill Laas and Major Herman Vincent in collaboration with James D. Ployhar

Level: Advanced Intermediate

Item: 00-BIC00361A

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Description
The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

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Additional Details
Series: Student Instrumental Course
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7579-8240-9
ISBN13: 978-0-7579-8240-8
UPC: 654979026952
SKU: 00-BIC00361A

More about this title

About the Author: Bill Laas

Bill Laas is a composer and music educator who contributed to the Belwin Student Instrumental Course, one of the most widely adopted instrumental method series in American music education. His work reflects a deep understanding of how young players develop technique and musicality across different instrument families.

Why we love this

This book maintains the pedagogical clarity that has made the Student Instrumental Course a classroom standard for decades. The Level III material strikes a real balance between advancing technical demands and keeping students engaged with music that sounds intentional, not like exercises.

What to expect

The material here strikes a balance between technical work and genuine musicianship. Students encounter melodies worth caring about alongside exercises that build confidence in their growing range and control.

Who it's for

This book serves students in their second or third year of baritone study who have solid fundamentals in place and are ready for more substantial musical repertoire and technical challenges. It works equally well in individual lessons and group band classes where students play like instruments together.

How to get the most out of it

  • Practice the articulation studies separately from the longer pieces; use them to refine your tongue placement and air speed before applying those skills to full musical passages.
  • When working through the etudes, record yourself and listen for evenness in your intonation across different registers. Baritone range requires consistent embouchure positioning as you move between low and high passages.
  • Coordinate with your director about which supplementary books pair with this level so accompaniment materials and duets reinforce the material you are studying.

How to use it

Use this as your core baritone curriculum during the second half of a student's first two years of study, or as your primary resource for any returning player who needs a structured path forward. Pair it with the corresponding band book so your low brass section builds technique in parallel.

Skills your students will build

  • Reading in treble clef with confidence across extended range
  • Controlling intonation in the upper and lower registers
  • Executing articulation styles including legato, staccato, and marcato
  • Building stamina for longer sustained passages
  • Responding to dynamic and tempo markings with musical intention
  • Sight-reading at an intermediate level

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