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Strings for All: Pops: Piano Acc. Book

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Strings for All: Pops Cover Image

Strings for All: Pops: Piano Acc. Book

Solo-Duet-Trio-Quartet with Optional Piano Accompaniment

Arr. Michael Story

Grade: 1-3

Item: 00-37029

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Description
Arranged especially for strings, Strings for All: Pops is a welcomed addition to the popular " . . . For All" series. Each book is in four-line score form, so parts can be played by any members of the string family: violin, viola, cello, or string bass. All songs are in familiar keys, and bowings are included. Songs can be played as a solo or with a large group. An optional score/piano accompaniment book is also available. Titles: Any Way You Want It * Over the Rainbow * Boulevard of Broken Dreams * Gimme Some Lovin' * Hedwig's Theme (From Harry Potter and the Sorcerer's Stone) * Paint It Black * (I Cant' Get No) Satisfaction * Don't Stop Believin' * James Bond Theme * My Immortal * Theme from Ice Castles (Through the Eyes of Love) * Blazing Saddles.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-7635-3
ISBN13: 978-0-7390-7635-4
UPC: 038081409375
SKU: 00-37029
Instrumentation: Oboe/Guitar/Piano/Electric Bass

More about this title

About the Arranger: Michael Story

Michael Story has built a reputation as one of the most prolific and practical arrangers for school music programs. His work across the "For All" series demonstrates a deep understanding of what directors need: accessible arrangements that don't sacrifice musicality, flexible instrumentation that solves real scheduling challenges, and repertoire that students actually want to play.

Why we love this

Story's pop arrangements cut through the noise by selecting songs students recognize instantly while keeping the technical and rhythmic demands manageable. The four-line score format transforms what could be a logistical nightmare into an elegant solution, letting you deploy whatever string players you have on any given day without rewriting parts.

What to expect

These arrangements capture the energy and momentum of the originals while staying true to string writing that feels natural under the bow. You'll recognize the songs instantly, but they live in a cleaner, more orchestral space than their rock, pop, and film score origins.

Who it's for

String directors looking to refresh their pop repertoire without overloading intermediate students, and music educators who need parts flexible enough to survive absences and schedule shifts. The collection also works for teachers bridging classical and contemporary styles or building confidence in reluctant ensemble members.

How to get the most out of it

  • Balance the melody line clearly against the supporting voices, particularly when different string sections are playing the same note an octave apart. This keeps the arrangement from sounding muddy.
  • Let the piano accompaniment breathe during the introduction and any extended passages. The strings will lock in more confidently when they have clear harmonic and rhythmic anchors.
  • Dial in the tempo during your first read-through with a focus on the rhythmic patterns in the accompaniment. Pop songs rely on groove, not on expressive flexibility.
  • Mark the bowings in pencil during rehearsal and adjust them for your ensemble's strengths. Story's suggestions work well, but individual players' preferences matter.

How to use it

Build a full concert around these twelve titles by mixing them with a classical opening number and a closing traditional piece, or use them as the foundation for a "Movies and Radio" themed concert. They also work well as year-round rehearsal material for building sight-reading and ensemble blend in a group that might otherwise get stuck in classical repertoire.

Skills your students will build

  • Reading four-line score format and translating it flexibly across different clefs
  • Matching articulation and bowing across a string section to create unified phrasing
  • Maintaining rhythmic accuracy against a steady piano accompaniment
  • Balancing independent melodic lines with harmonic support roles
  • Playing with stylistic awareness across multiple genres (rock, pop, film scores)

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