String Quartet No. 4 Cover Image

String Quartet No. 4: String Quartet Parts

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String Quartet No. 4 Cover Image

String Quartet No. 4: String Quartet Parts

By Carl Vine

Item: 12-0571569633

$30.99
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Description
Premiered by the Takács String Quartet in 2004, Carl Vine's String Quartet No. 4 is a dark and pensive work. Split into two equal parts, this acerbic 15-minute exploration of conflict without resolution---with angular rhythmic gestures set abruptly against a brooding chorale---would make an imposing addition to any quartet's repertoire.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-56963-3
ISBN13: 978-0-571-56963-2
UPC: 9780571569632
SKU: 12-0571569633

More about this title

About the Composer: Carl Vine

Carl Vine is an Australian composer whose catalog spans concert music, opera, and film scores. His work is known for uncompromising modernist language, rhythmic sophistication, and emotional directness; he has received commissions from major ensembles and institutions worldwide and has held residencies at leading universities.

Vine's string quartets occupy a central place in his output. Writing for the quartet allows him to explore intimate dialogues between instrumental voices while maintaining the structural ambition and harmonic complexity that define his aesthetic. His quartets are performed internationally and have become fixtures of contemporary chamber music programming.

Why we love this

This quartet cuts through the typical expectations for contemporary chamber music. Rather than seeking accessibility or comfort, Vine constructs a narrative of genuine friction: the angular, confrontational rhythmic material and the somber chorale create a sustained tension that refuses easy resolution. For ensembles ready to champion uncompromising new work, this piece offers intellectual rigor and emotional weight without sentimentality.

What to expect

Vine constructs a landscape of friction and shadow. The angular rhythmic figures jab and splinter, while underneath (and sometimes cutting across) moves a slow, brooding chorale that sounds mournful rather than consoling. There is no catharsis here; instead, the two ideas circle each other without synthesis, creating a sense of impasse that lingers. The overall effect is austere and searching.

Who it's for

Established string quartets with a track record of contemporary repertoire. This work demands secure ensemble playing, harmonic sophistication, and the interpretive maturity to sustain an unresolved emotional arc. Competitive quartets preparing for festivals and competitions will find the piece's technical and expressive demands rewarding.

How to get the most out of it

  • Establish the rhythmic integrity of the angular gestures before layering them against the chorale. These two textures need to feel locked in opposition, not merely sequential.
  • The 15-minute duration demands stamina. Build endurance in rehearsal by playing through complete sections, and attend to intonation pressure points where the harmonic language becomes most unsettled.
  • Explore the balance between clarity and blend. The acerbic character relies on each voice being heard distinctly, yet the work also requires moments of dark, unified sound. These often shift quickly.
  • Let silence and rests carry weight. Vine's pacing includes strategic emptiness; resist the urge to fill gaps. The brooding quality depends on what is withheld as much as what is sounded.

How to use it

Program this work alongside other contemporary quartets or at the center of a festival chamber concert where it can command full attention. The piece's dark, unresolved character makes it an effective closer or centerpiece rather than an opener. It pairs well with 20th-century works that share its structural intensity and emotional austerity.

Skills your students will build

  • Sustaining intonation across dissonant harmonic language
  • Balancing competing textures (rhythmic figures against sustained lines)
  • Interpreting contemporary notation and rhythmic complexity
  • Building emotional narrative through tonal contrast rather than resolution
  • Ensemble coordination in asymmetrical rhythmic passages

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