String Quartet No. 2 Cover Image

String Quartet No. 2: String Quartet Score

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String Quartet No. 2 Cover Image

String Quartet No. 2: String Quartet Score

By Jonathan Harvey

Item: 12-0571555012

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Description
Commissionedby the Arditti Quartet with funds provided by the Arts Council of Great Britain and first performed by the Arditti Quartetat Ars Musica, Brussels on March 17th. 1989.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-55501-2
ISBN13: 978-0-571-55501-7
SKU: 12-0571555012

More about this title

About the Composer: Jonathan Harvey

Jonathan Harvey (1939-2012) was a British composer whose work bridged modernist technique and spiritual inquiry. A student of Erwin Stein and Karlheinz Stockhausen, Harvey developed a compositional language that integrated serial procedures, spectral harmony, and references to sacred music. He taught at Stanford University and Southampton University, earning recognition as one of the most significant British composers of his generation.

Why we love this

This quartet exemplifies Harvey's mature synthesis of rigorous pitch organization with luminous, often transcendent sonorities. The work demands serious technical command and interpretive sophistication from all four players, making it an ideal choice for advanced quartets preparing for competitions or curated chamber seasons.

What to expect

The score unfolds with an almost architectural clarity despite its modernist vocabulary. Moments of crystalline transparency alternate with passages of dense, shimmering texture, creating a soundworld that feels both intellectually demanding and emotionally expansive.

Who it's for

Advanced string quartets with solid experience in 20th-century repertoire and the technical security to manage both complex rhythmic writing and sustained tonal control. This quartet suits groups preparing for festival performances, competitions, or concert series devoted to contemporary chamber music.

How to get the most out of it

  • Study the harmonic progression as a unified structure across all four movements rather than viewing each voice in isolation; the overall sound world is as important as individual pitch accuracy.
  • Coordinate the ensemble's tone quality in exposed passages where the quartet moves together homophonically; Harvey's orchestration sometimes treats the quartet almost as a unified instrument.
  • Balance the technical demands between parts carefully during fast figurations so that the faster writing doesn't obscure the underlying harmonic language.
  • Attend to the dynamic markings with precision, as Harvey uses subtle gradations to shape the formal architecture and highlight structural pivots.

How to use it

Pair this quartet with earlier 20th-century works (Bartók, Shostakovich) to frame a concert exploring the evolution of the string quartet genre, or program it as a centerpiece in a contemporary music festival where audiences expect substantive artistic statements.

Skills your students will build

  • Reading complex rhythmic figures across multiple meters
  • Executing rapid position shifts and extended techniques in a coordinated ensemble
  • Balancing clarity and blend in atonal and post-tonal harmonic contexts
  • Sustaining ensemble cohesion through passages with asymmetrical phrasing
  • Interpreting dynamic and articulation markings as structural signifiers rather than surface effects

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