String Festival Solos, Volume II Cover Image

String Festival Solos, Volume II: Double Bass Piano Acc.

$8.95 USD
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String Festival Solos, Volume II Cover Image

String Festival Solos, Volume II: Double Bass Piano Acc.

Sel., transcr., and ed. Samuel Applebaum

Level: Easy-Intermediate

Item: 00-EL95109

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Description
String Festival Solos are economical collections of transcriptions by Samuel Applebaum. In two volumes for each instrument, the solos are in progressive order of difficulty. Each volume contains nine pieces -- all classic titles in the Applebaum teaching repertoire. Some of these have been hard to find. Volume I progresses from Level 1 to Level 2, Volume II progresses from Level 2 to Level 3. The solos are useful for teaching technique, dynamics, phrasing, and overall musicianship. String Festival Solos are excellent for recitals, auditions and performances for assemblies, concerts or festivals. Contains: Two Austrian Folk Tunes (Kohler) * Rigaudon (Lee) * First Sonatina (Drew) * Minuet (Pleyel) * March (Clarke) * Second Sonatina (Drew) * The Strange Man (Schumann) * Two Classical Pieces (Reinagle) * Adagio and Allegro (Galliard).

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3013-X
ISBN13: 978-0-7692-3013-9
UPC: 029156188707
SKU: 00-EL95109
Instrumentation: Double Bass Piano Acc.

More about this title

About the Creator: Samuel Applebaum

Samuel Applebaum built his reputation as a pedagogue and composer by creating accessible yet musically substantive material for string students. His transcriptions and original compositions became cornerstones of the teaching repertoire because they balanced technical instruction with genuine musical value, never talking down to young musicians.

Why we love this

This collection solves a real programming need: nine carefully curated pieces that work equally well in a studio recital, festival setting, or school assembly. The progressive ordering means your advanced Level 2 students can grow into Level 3 repertoire without abandoning the collection, and every selection has proven longevity in audition halls.

What to expect

These transcriptions span folk melodies, dance forms, and classical miniatures, creating a balanced recital program that moves from buoyant character pieces to lyrical sonata movements. The writing sits comfortably on the bass while offering genuine harmonic interest and emotional range.

Who it's for

This collection is designed for double bass students progressing from Level 2 into Level 3 technique, whether they're preparing for recitals, festivals, or auditions. Teachers working with intermediate students who need repertoire that builds confidence without compromising musicianship will find reliable, performance-ready material here.

How to get the most out of it

  • Balance tone production across register shifts, especially in the higher positions required in later pieces like the Adagio and Allegro.
  • Shape each phrase with attention to Applebaum's marked dynamics; these smaller solos depend on expressive nuance rather than dramatic gesture.
  • Use the piano part actively during rehearsal to establish tempo and harmonic context, even if you eventually perform with recorded accompaniment.

How to use it

Build a recital around these nine pieces by clustering them thematically: open with Austrian folk material, move through the dance forms and minuets, and close with the more substantial sonatinas and the Galliard. The moderate length and varied styles make them ideal filler repertoire between larger ensemble pieces at school concerts or studio showcases.

Skills your students will build

  • Navigating extended range across multiple positions
  • Controlling dynamics in lyrical passages
  • Phrasing across bow changes
  • Reading and executing various baroque and classical styles
  • Collaborating with accompaniment

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