String Explorer, Book 1 Cover Image

String Explorer, Book 1: Piano Acc. (Instrumental) Book

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String Explorer, Book 1 Cover Image

String Explorer, Book 1: Piano Acc. (Instrumental) Book

By Andrew H. Dabczynski, Richard Meyer, and Bob Phillips

Item: 00-20624

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Description
Alfred and Highland/Etling are taking a brand-new approach to string instruction that promises to grab and hold every student's attention---String Explorer! Join the adventures of Arco Dakota and Rosalyn Le Bow as they guide your students along the path to successful string playing with the most exciting, yet systematic and logically sequenced instruction of its kind. This title is available in MakeMusic Cloud.

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Additional Details
Series: String Explorer
Publisher: Alfred Music
Page Count: 76
ISBN10: 0-7390-2501-5
ISBN13: 978-0-7390-2501-7
UPC: 038081196466
SKU: 00-20624
Instrumentation: Piano Acc.

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski brought decades of string pedagogy expertise to the creation of String Explorer, drawing on his experience as Emeritus Professor of Music Education at Brigham Young University, where he founded the BYU "New Horizons Orchestra" as both a performance ensemble and a training laboratory for string teachers. His work earned him BYU's Joseph E. White Fellowship for Teaching and Learning, as well as recognition from the Utah chapter of the American String Teachers Association as "Higher Education Teacher of the Year" in 2005 and for "Outstanding Contributions to Music Education" in 2014.

Dabczynski's foundation in string performance runs deep. He earned a B.M. in viola performance from the Eastman School of Music and a Ph.D. in Music Education from the University of Michigan, and performed with regional orchestras including the Rochester Philharmonic, Hartford Symphony, and Portland Symphony. He served in leadership roles with the American String Teachers Association and taught at the Eastman School, directed fine arts in Michigan public schools, and mentored teachers at national string workshops. His research interests span folk music and ethnomusicology, particularly the transmission of fiddling traditions.

Why we love this

This accompaniment book transforms how beginning string students experience their repertoire by providing full, musicianly piano support that brings each exercise and tune to life. Rather than hearing isolated notes, your students feel the harmonic and rhythmic context that makes learning music, not just mechanics, possible. The piano part is written to enhance without overwhelming, giving young players room to develop tone and intonation while grounded in real musical sound.

What to expect

Opening this book reveals carefully crafted accompaniments that feel supportive rather than prescriptive, with harmonies that sit under student melodies like a secure foundation. Each page invites the piano player into a partnership with the string students, creating ensemble experiences that motivate young players and transform rote practice into genuine music-making.

Who it's for

This accompaniment is essential for any teacher using String Explorer, Book 1 with beginning violinists, violists, cellists, and bassists. Solo piano teachers and string ensemble directors benefit equally; one provides rich sound to a private student while the other supports a full class or orchestra. Anyone who wants their students' early experiences to include real musicianship, not just mechanical repetition, will find this book indispensable.

How to get the most out of it

  • Balance the string and piano lines so the ensemble remains the primary voice; the piano supports, not dominates.
  • Use the accompaniment to reinforce steady tempo during early-stage instruction, helping students internalize pulse without relying on a metronome alone.
  • Adjust dynamics and articulation in the piano part to match what you're working on with the strings (e.g., softer during bow-hold drills, fuller when rehearsing phrase shape).
  • Play through each page before your students see it so you can anticipate the harmonic progression and adjust your touch to the developmental level of the piece.

How to use it

Use this alongside the student books from day one to establish that ensemble playing includes listening and responding to harmonic context. The accompaniments work equally well in private studio settings (where a parent or recorded version can play the part) and in full class or orchestra settings. Early success with supported, harmonically rich repertoire builds confidence and ear training simultaneously.

Skills your students will build

  • Playing in tune within a harmonic context
  • Sustaining steady tempo against piano accompaniment
  • Listening to and responding to harmonic support while maintaining a melodic line
  • Understanding phrase shape through piano-string interaction
  • Developing intonation awareness through harmonic feedback

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