String Builder, Book One Cover Image

String Builder, Book One: Bass Book

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String Builder, Book One Cover Image

String Builder, Book One: Bass Book

A String Class Method (for Class or Individual Instruction)

By Samuel Applebaum

Item: 00-EL01547

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Description
The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

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Additional Details
Series: Belwin Course for Strings
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3131-4
ISBN13: 978-0-7692-3131-0
UPC: 029156111217
SKU: 00-EL01547
Instrumentation: Bass

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a violinist, composer, and pedagogue whose work fundamentally shaped string education in America. His method books, particularly the Belwin String Builder series, became foundational texts in school orchestras and private studios because they combined musical integrity with realistic progression.

Applebaum understood that string players learn best through repertoire that engages both ear and technique. His melodies were deliberately crafted to develop left-hand control and bow management without requiring students to navigate dense explanatory material between pieces.

Why we love this

The String Builder approach treats bass as a full melodic voice rather than relegating it to rhythmic accompaniment. The 32-page arc builds steadily, with each melody constructed to address specific technical challenges that bass players actually face, making progress visible without overwhelming students.

What to expect

The melodies unfold with clear, singable shapes that make the bass part feel purposeful rather than supportive. Students encounter folk-like material and straightforward accompaniments that build confidence while steadily introducing new positions and technical demands.

Who it's for

Bass students in a school string orchestra or private studio who are establishing foundational technique in their first year. This book works equally well for individual instruction and ensemble settings, allowing teachers to assign the same material to students learning independently or playing together.

How to get the most out of it

  • Establish consistent bow contact point across string changes; these melodies require smooth transitions between strings to develop control rather than speed.
  • Use the written rhythms as anchors for left-hand positioning; each phrase placement supports the hand shape needed for the next technical step.
  • Attend to intonation in the first and second positions by listening carefully to open strings; many melodies return to open strings as tuning references.
  • Balance tone production with left-hand independence; resist pressing harder when navigating unfamiliar finger patterns, which creates tension.

How to use it

Deploy this book as the core method for beginning bass students through their first year, pairing Book One with easy ensemble arrangements that reinforce the same positions. The material progresses logically enough that students can advance at their own pace without waiting for other string sections, then rejoin the full orchestra with more solid fundamentals.

Skills your students will build

  • Reading in first and second positions on the bass staff
  • Bow control and consistent tone production across open strings
  • Left-hand finger placement and independence
  • String crossing and smooth transitions between strings
  • Understanding rhythmic notation and basic articulation
  • Intonation accuracy using open strings as reference points

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