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Stefan Grossman's Early Masters of American Blues Guitar: Rev. Gary Davis: Guitar Book & Online Audio

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Stefan Grossman's Early Masters of American Blues Guitar: Rev. Gary Davis Cover Image

Stefan Grossman's Early Masters of American Blues Guitar: Rev. Gary Davis: Guitar Book & Online Audio

Rev. Gary Davis / transcr. Stefan Grossman

Item: 00-F3175GTA

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Description
The Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 13 songs, transcribed exactly as performed by legendary blues master Rev. Gary Davis. In addition to Stefan's expert transcriptions, the book includes online audio containing the original recordings of Rev. Gary Davis so you can hear the music as he performed it.

Reverend Gary Davis, also known as Blind Gary Davis, was a master musician who felt comfortable playing in a wide variety of styles and techniques. He could freely improvise on ragtime, religious and blues themes, and was an exciting and vibrant performer. An ordained minister, Rev. Davis often expressed a preference for gospel music, sometimes refusing to play the blues. In addition to transcribing all the songs in this collection, Stefan Grossman was also a student of Rev. Davis.

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Sample Pages

Sample Audio
1 Buck Rag --:--
2 Pure Religion --:--
3 Wabash Rag --:--
4 You Better Mind --:--

Buck Rag

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Sample Video
Additional Details
Series: Stefan Grossman’s Early Masters of American Blues Guitar
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-4329-3
ISBN13: 978-0-7390-4329-5
UPC: 038081282947
SKU: 00-F3175GTA

More about this title

About the Author: Stefan Grossman

Stefan Grossman is a roots-blues guitarist and musicologist whose decades of work documenting and performing early American blues styles have made him a vital bridge between tradition and contemporary guitar education. His scholarly approach to transcription and arrangement, combined with his own deep immersion in blues history, has resulted in instructional materials that preserve authentic playing styles while making them accessible to serious students.

Why we love this

This book captures the genuine article: not simplified arrangements or modern interpretations, but the actual techniques and improvisational choices of one of blues guitar's most versatile masters, transcribed by someone who studied directly with Davis. The pairing of notation with original recordings means students can train their ears against the source material itself, learning not just what to play but how Davis voiced his lines and phrased across the beat.

What to expect

The playing on these tracks breathes with the confidence of someone equally at home with ragtime, gospel, and blues. Davis moves between styles fluidly, his acoustic guitar singing with both delicacy and drive. You'll hear a musician in complete command of his instrument, unpredictable in the best way, where every note choice feels intentional rather than accidental.

Who it's for

Intermediate to advanced guitarists serious about blues roots and acoustic fingerstyle technique. This book demands that you already read music fluently and have basic blues vocabulary; it's designed for players ready to move beyond learning songs to understanding how a master craftsman built his sound across a full repertoire.

How to get the most out of it

  • Listen to the original recordings repeatedly before diving into the transcriptions. Your ear needs to internalize Davis's phrasing, timing variations, and tonal choices so the written music becomes a map of what you've already heard.
  • Study how Davis approaches standard blues progressions differently across these 13 songs. Notice his rhythmic displacements and where he sits behind or ahead of the beat; this flexibility is central to his style and worth isolating bar by bar.
  • Pay close attention to his fingerpicking patterns and hand positioning. Davis moves fluidly between techniques, and the transcriptions will show you exactly when and why he switches approaches.
  • Work slowly through the improvisational passages. These aren't just stylistic flourishes; they're structured choices you can learn to apply to your own playing.

How to use it

Use this as the core text for a roots-blues guitar intensive or elective aimed at advanced students. The 13-song collection works well as a semester's worth of focused study, or you can pull individual pieces as demonstrations in broader guitar history or improvisation classes. Pair it with live or video performances of Davis to deepen students' understanding of how notation can only partially capture what a musician actually does.

Skills your students will build

  • Transcribing and interpreting acoustic fingerstyle patterns
  • Understanding blues phrasing and rhythmic displacement
  • Recognizing and playing ragtime-influenced figures in a blues context
  • Reading and executing complex fingerpicking arrangements on guitar
  • Analyzing improvisation within traditional song structures
  • Adapting and personalizing traditional blues material

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