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Stately Dances: Concert Band Conductor Score & Parts

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Stately Dances Cover Image

Stately Dances: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 1.5 (Easy)

Item: 00-44152

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Description
The dance music of the Renaissance inspired this two-movement work. An opening "Pavane" sets the stage with its dignified processional. A lively "Galliard" brings the piece to a conclusion showcasing brass and woodwind choirs in both major and minor keys. (2:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Stately Dances: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 132
UPC: 038081505244
SKU: 00-44152

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon ranks among the most frequently performed composers for wind band. His works appear on international festival and contest programs regularly, and his music resonates across ensemble levels and audiences worldwide. He developed the Sound Innovations for Concert Band series as its lead author and continues to produce new compositions annually while accepting commissions from ensembles across the country.

Sheldon's recognition includes awards from the American School Band Director's Association, Phi Beta Mu, and ASCAP. He has guest conducted All-State and Regional Honor Bands throughout his career and presented clinics at universities and state music education conferences across the United States and internationally (Japan, Canada, Italy, Germany, Australia, and China). His works have been performed at Carnegie Hall, Chicago's Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center. VanderCook College of Music awarded him an honorary doctorate in 2020.

Why we love this

Sheldon crafted a piece that respects the Grade 1.5 ensemble without condescension. The two-movement structure gives students experience with contrasting tempos and characters, while the brass and woodwind writing in the Galliard ensures that different sections get moments to shine. This sits perfectly between foundational repertoire and early concert programming.

What to expect

The Pavane unfolds with quiet dignity, evoking Renaissance processions without pretension. When the Galliard arrives, the energy brightens considerably; brass punches through the texture while woodwinds dart between major and minor territory, creating a dance that feels both elegant and lively.

Who it's for

Early-to-intermediate concert bands ready for their first two-movement work with historical inspiration. Students performing at contest festivals benefit from the structured, accessible writing that still demands musicality. Teachers seeking grade-appropriate material that sounds substantial in a concert program will find this a natural fit.

How to get the most out of it

  • Shape the Pavane's opening with a gentle swell in dynamics; even at this grade level, students can hear the difference between marching and processing.
  • Balance the woodwind and brass choirs in the Galliard so neither overpowers the other; brief sectional work on the two-choir passages pays dividends.
  • Maintain clarity in the minor key passages of the Galliard; slowing slightly into these moments helps students feel the harmonic shift without rushing.

How to use it

Open a spring concert with this pairing to establish an early tone of craftsmanship and historical awareness. Its 2:20 duration works as a solid first or second piece on a mixed program, or pair it with complementary Grade 1.5 selections for a focused thematic set on Renaissance influences in modern wind writing.

Skills your students will build

  • Contrasting articulation and expression between processional and dance movements
  • Intonation in shifting harmonic areas (major to minor modulation)
  • Balance between independent choir sections (woodwinds and brass)
  • Maintaining steady tempo in two distinct tempos within one concert work

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