Stars Cover Image

Stars: Concert Band Conductor Score & Parts

$125.00 USD
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Stars Cover Image

Stars: Concert Band Conductor Score & Parts

Arranged for Concert Band

By Eriks Ešenvalds / arr. Phillip Littlemore

Item: 98-0300761759

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Description
One of the most popular of all contemporary choral works, Eriks Ešenvalds's Stars is a work of shimmering beauty, a vision of "beating hearts of fire" seen overhead on a still, dark night. Phillip Littlemore's expert arrangement for concert band will bring a moment of rapt stillness to any concert programme. (4:00) Original Item: EP68713-CMPST

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 140
ISBN10: 0-30-076175-9
ISBN13: 979-0-3007-6175-6
SKU: 98-0300761759
Instrumentation: Concert Band

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral works have become central to contemporary repertoire across the globe. His music draws on his deep engagement with text and his ability to create luminous, contemplative soundscapes that resonate with singers and audiences alike. Stars exemplifies his signature approach: spiritual clarity, accessible yet sophisticated harmony, and a profound respect for the human voice.

Ešenvalds has established himself as one of the most performed living composers in choral music, with works recorded and performed by major ensembles worldwide. His compositions bridge classical rigor with emotional directness, making them invaluable resources for music programs seeking repertoire that challenges musicians while remaining deeply communicative.

Why we love this

This arrangement preserves every shimmer and emotional contour of the original choral work while giving concert band programs access to Ešenvalds's most beloved composition. Littlemore's orchestration demonstrates real respect for the source material; the band texture never overwhelms the quiet introspection at the heart of the piece. It's a sophisticated way to program something genuinely moving without relying on singers.

What to expect

Stars evokes a still night sky and the sense of vast, distant beauty held in a contained space. The texture is transparent and luminous, with gentle undulation among the parts creating the sense of light overhead. You feel less urgency than reverence, and the quiet demands absolute focus from every player.

Who it's for

This score and parts set serves concert bands at the Grade 3 level and above, as well as advanced middle school ensembles ready for expressive, sustained playing without virtuosic technical demands. Directors seeking a moment of genuine quietude and reflection in a concert program will find this essential. Musicians accustomed to more rhythmically active repertoire benefit from the discipline and focus this piece requires.

How to get the most out of it

  • Build sustained tone control in the woodwind chorale sections. The magic of this piece depends on even tone across all parts and absolute steadiness in long-held notes.
  • Use the accompaniment recording as a learning tool, but push your ensemble to listen to each other in rehearsal without it. The internal balance among upper woodwinds, lower woodwinds, and brass requires active adjustment.
  • Shape phrases through dynamic refinement rather than tempo manipulation. Ešenvalds's original text-driven phrasing translates to band through subtle dynamic contours within what sounds like stillness.
  • Give yourself rehearsal time for intonation work in the soft, sustained passages. Tuning demands increase when dynamics drop below mezzo-piano.

How to use it

Program this as a concert centerpiece rather than filler. It works beautifully after a more energetic opening number, settling an audience into attention before moving into the second half of your program. The four-minute duration gives you breathing room without consuming a disproportionate portion of rehearsal time.

Skills your students will build

  • Sustaining tone at soft dynamic levels with precise intonation
  • Balancing transparent woodwind and brass textures within a homophonic framework
  • Responding to phrase shapes based on harmonic motion rather than rhythmic gesture
  • Developing sensitivity to chord color and voice leading in contemporary harmonic language

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