Star Eyes: Jazz Ensemble Conductor Score

Annie Booth's arrangement captures the infectious energy of the jazz standard while layering in a Latin rumba feel that gives the chart fresh identity without obscuring what makes the tune memorable. The trumpet writing is idiomatic and singable; Trumpet 2 gets a genuine solo opportunity while the lead part sits at a playable range. Flute and vibes as optional colors let you build the sound to fit your ensemble's strengths.

Warm, swinging, and rhythmically buoyant. The Latin rumba groove gives the standard a relaxed sophistication that feels both contemporary and timeless, with enough ensemble texture to keep everyone engaged even when the lead trumpet isn't playing. It's the kind of chart that makes students feel like they're making real music from the first rehearsal.

This chart works for Grade 3 jazz ensembles with solid section fundamentals and at least one capable trumpet soloist. Directors seeking Latin material that doesn't require extensive percussion additions will find this especially practical.

• Set the rumba groove firmly before rehearsing melody. The rhythm section needs to lock into that 124 BPM feel so the horns sit comfortably on top of it rather than fighting it.
• Balance the trumpet 2 solo so it projects without overwhelming the rhythm section. This is a featured moment; give the soloist room to breathe and respond to the band's energy.
• Use the optional flute and vibes parts strategically. They work beautifully as color in the ensemble sections, but consider dropping them for cleaner sound during the lead trumpet statement if your ensemble is still building blend.

Program this in a set with other Latin-tinged jazz standards to build thematic continuity, or use it as a showcase for your trumpet section on a mixed-genre concert. At 16 pages, it's substantial enough to anchor a set but nimble enough to fit alongside vocal features or longer ensemble works.

• Reading and executing Latin rumba rhythms in a jazz context
• Playing with swing inflection over a non-swing groove
• Balancing solo spotlight with ensemble responsibility
• Harmonic listening and voicing blend in a jazz ensemble setting