Stabat Mater, P. 77 Cover Image

Stabat Mater, P. 77: Cantata/ Oratorio, Orchestra Accompaniment, Full Score

$25.00 USD
Sale price  $25.00 USD Regular price 
Skip to product information
Stabat Mater, P. 77 Cover Image

Stabat Mater, P. 77: Cantata/ Oratorio, Orchestra Accompaniment, Full Score

By Giovanni Battista Pergolesi, ed. Gustav Schreck, Latin text by Jacopo de Benedetti, called Jacopone da Todi. German translation by Emmy Schreck.

Item: 36-A270201

$25.00
Shipped

One moment…

Description
While many works long believed to have been written by Giovanni Battista Pergolesi (1710-1736) were later discovered to be falsely attributed, his STABAT MATER, P. 77 is not among them as a manuscript in his hand still exists. Written in 1736 shortly before he succumbed to tuberculosis, he was commissioned to complete the sacred text describing Mary's suffering as she watches her son die on the Cross by confraternity in Naple called the Cavalieri della Vergine dei Dolori di San Luigi al Palazzo, who had also commissioned a STABAT MATER from Alessandro Scarlatti. After Pergolesi's death, his twelve-movement setting became one of his most celebrated sacred works, published more often than any other piece of music in the 18th century. Movements: 1. Stabat Mater dolorosa; 2. Cujus animam gementem; 3. O quam tristis et afflicta; 4. Quæ mœrebat et dolebat - Pro peccatis suæ gentis; 5. Quis est homo qui non fleret; 6. Vidit suum dulcem natum; 7. Eja Mater fons amoris; 8. Fac, ut ardeat cor meum (Fuga); 9. Sancta Mater, istud agas; 10. Fac ut portem Christi mortem; 11. Inflammatus et accensus; 12. Quando corpus morietur - Amen. Instrumentation: Org: Str (2-2-2-1-1 in set): Soli SA: Women's Chorus. Edition by Gustav Schreck with Latin text also translated by Emmy Schreck.

Stabat Mater, P. 77: Cantata/ Oratorio, Orchestra Accompaniment, Full Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563886-7
ISBN13: 979-889-563-8866
UPC: 612735923860
SKU: 36-A270201
Instrumentation: Org: Str (2-2-2-1-1 in set): Soli SA: Women's Chorus

More about this title

About the Composer: Giovanni Battista Pergolesi

Giovanni Battista Pergolesi (1710-1736) was an Italian composer whose brief life yielded an outsized influence on 18th-century music. Working primarily in Naples, he composed operas, instrumental works, and sacred music that balanced emotional depth with formal clarity. His gift for melody and harmonic sophistication made him a model for later composers, and his music circulated widely across Europe during and after his lifetime.

Pergolesi died of tuberculosis at twenty-six, yet his Stabat Mater became one of the most frequently published works of the entire century. Unlike many compositions later misattributed to him, this sacred cantata survives in manuscript in his own hand, securing its authenticity and its place among the essential masterworks of the Baroque cantata repertoire.

Why we love this

Pergolesi's twelve-movement setting captures the emotional arc of the Stabat Mater text with remarkable economy and expressiveness. The alternation between soloists and chorus, combined with the nimble string writing, creates moments of intimate sorrow and communal prayer that resonate across centuries. Programming this work places your singers alongside one of the most performed sacred cantatas ever written, offering an authentic window into 18th-century Italian sacred music at its most refined.

What to expect

Pergolesi's Stabat Mater unfolds as a meditation on maternal grief and spiritual sacrifice. The string writing provides a gentle, often mournful backdrop, while solo voices pierce through with intimate laments and moments of fervent devotion. The work moves between tender vulnerability and baroque grandeur, creating an experience that feels both intimate and ceremonial.

Who it's for

This work suits accomplished women's choirs with strong soloists and vocal maturity. It demands careful ensemble balance, precise intonation in the string writing, and singers who can sustain emotional commitment across a substantial sacred work. The piece rewards choirs ready to explore the expressive possibilities of the Italian Baroque.

How to get the most out of it

  • Balance the solo soprano and alto voices against the women's chorus in the opening movement; Pergolesi's texture grows denser as the emotional weight increases, so allow that architectural shift to breathe.
  • Shape the instrumental interludes and ritornellos with the string section; they function as emotional punctuation and offer your singers crucial moments to recover between demanding passages.
  • Attend to the text declamation in the fugal movement (Fac, ut ardeat cor meum); the Latin prosody should drive the rhythmic articulation, preventing the counterpoint from becoming merely mechanical.
  • Consider the continuo part as essential to forward motion; a thoughtful organ realization supports both harmonic clarity and the cantata's underlying pulse across all twelve movements.

How to use it

This cantata functions beautifully as the centerpiece of a concert exploring Baroque sacred music or as a substantial offering within a broader liturgical program. Its twelve-movement structure allows for imaginative programming alongside shorter anthems or motets, or it can anchor an entire concert devoted to the Passion narrative. Spring concerts built around contemplative themes pair naturally with Pergolesi's expressive depth.

Skills your students will build

  • Sustaining emotional expression across a multi-movement sacred work
  • Ensemble balance between solo soloists and chorus
  • Intonation and phrasing in 18th-century Italian harmonic language
  • Text declamation in Latin with proper prosody and musicality
  • Collaborative musicianship with string accompaniment and continuo

You May Also Like