St. Anthony Chorale Cover Image

St. Anthony Chorale: Piano Quartet (2 Pianos, 8 Hands) Sheet (2 copies included)

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St. Anthony Chorale Cover Image

St. Anthony Chorale: Piano Quartet (2 Pianos, 8 Hands) Sheet (2 copies included)

From Brahms' Variations on a Theme by Haydn

Arranged by Virginia Speiden Carper

Level: Intermediate

Item: 00-PA02417

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Description
Short, expressive in each part, and truly lovely, the St. Anthony Chorale is musically satisfying for players and listeners. The parts fit together beautifully so ensemble can be achieved without interminable rehearsals. A great choice for multi-piano festivities. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, St. Anthony Chorale: Piano Quartet (2 Pianos, 8 Hands) Sheet (2 copies included) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Keyboard Ensemble Series
Publisher: Alfred Music
Page Count: 12
UPC: 029156620955
SKU: 00-PA02417

More about this title

Why we love this

Carper's arrangement treats the St. Anthony Chorale with genuine respect for the original while making it genuinely playable for intermediate pianists across eight hands. The voicing is transparent enough that four players can achieve real ensemble cohesion without spending weeks coordinating; the parts complement rather than compete with each other.

What to expect

The St. Anthony Chorale carries warmth and familiarity; Carper's arrangement honors that character while opening the melody to multiple voices and registers. Played together, it has the intimacy of a hymn sung by friends rather than the formality of a concert piece.

Who it's for

Four intermediate pianists looking for a chamber experience that doesn't demand months of rehearsal or complicated part coordination. This works equally well for studio teachers pairing advanced students with community pianists at a recital or festival gathering.

How to get the most out of it

  • Balance the melody across hands and pianos so the familiar tune emerges clearly without one player dominating; this may require adjusting dynamics during rehearsal based on your specific group's sound.
  • Establish a shared pulse before playing by counting or tapping together through the opening measures; pianists on different instruments need that physical anchor.
  • Shape the phrase endings together by listening across both pianos; a unified slight ritard or gentle lift at cadences makes the group sound unified rather than coordinated.

How to use it

Perfect for multi-piano events, community recitals, or festival showcases where you want ensemble repertoire that is substantial enough to respect the musicians but accessible enough to prepare quickly. This also works well as a closing piece for a recital, offering audiences a moment of collective beauty.

Skills your students will build

  • Listening and balancing within a four-person ensemble
  • Coordination of multiple pianists across two instruments
  • Maintaining independent voice independence while supporting group texture
  • Reading and executing clear articulation and phrasing cues across separated parts

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